Records, CDs and Music:

Welcome to my 2017 Beatles Christmas post, part II!

Last week I detailed the wonderful Beatles Christmas Records colored vinyl set that was just released and today I’m going to feature another record that came out that same day – a picture disc of The Beatles seminal album “Sgt. Pepper’s Lonely Hearts Club Band.”

Picture disc you say? Yes, you heard me right, picture disc!

Now those of you reading this who were old enough to experience the 1970s know that this isn’t the first time this Beatles album has been released in the picture disc format.

In 1978 Sgt. Pepper was released on picture disc designed to coincide with the release of the ill-fated “Sgt. Pepper’s Lonely Hearts Club Band” movie starring Peter Frampton and The Bee Gees.

Most of you reading this may wonder why on earth release this album on picture disc again, in this day and age? Aren’t picture discs notorious for sounding worse than their black vinyl counterparts and usually more expensive?

Well, first off vinyl reissues are a hot item these past few years and secondly this new version of the Sgt. Pepper picture disc features the new 2017 remix of the album by Giles Martin, son of famed Beatles producer George Martin.

Having succumbed to a pre-Christmas sale, today I took the bait and purchased this new picture disc at a very nice sale price (yes, New Year’s goal must be to work on self control lol!).

Let me say that after having played this disc (I know, most people don’t actually play picture discs!) I am quite surprised to say that it is a really nice sounding disc!

The 2017 remix of Sgt. Pepper has gotten a wide spectrum of feedback from fans with quite a few really enjoying it as well as quite a vocal sector of fandom wishing it had never been tampered with at all.

I can see both sides but I have to say that I do really enjoy the new remix especially on vinyl.

I think a lot of long-time fans like the remix but were turned off by the “hot” (loud) nature of the mix that was on the CD and the Blu-Ray or DVD 5.1 mix that came out as part of the Super Deluxe Edition earlier this year.

Listening to the CD and Blu-Ray/DVD mixes, I can see why long-time fans were a bit turned off. I must admit it is pretty loud, though I’d say not completely brick walled as can be the case with a lot of current mastering in music.

BUT on vinyl, this new 2017 remix of Sgt. Pepper is tamed quite a bit as far as loudness is concerned allowing one to experience the clarity of the new remix without reaching for the volume control to turn it down.

I must say I was surprised to find that this new picture disc version of Pepper sounded even a bit more tamed than the previous black vinyl 2 disc issue that came out earlier this year.

To me that’s a good thing as this disc was the most pleasant listening experience I’ve had yet of the new remix which I now can say I really enjoy.

I was also surprised, for the most part, how quiet this new picture disc was as well. There were a few pops here and there but overall this was a nice clean, quiet pressing that sounded just great!

This is definitely not your father’s picture disc as the 1978 picture disc version of this album is not a pleasant listening experience. As I remember it was a very noisy pressing that sounded flat compared to most of its black vinyl cousins.

I haven’t done a side by side comparison to the black vinyl version of the 2017 Sgt. Pepper remix from earlier this year but I must admit listening to this picture disc was a complete pleasure!

Nice clean fat bass, nice highs and like I said earlier the remix sounds much more tame than the CD counterpart which allows you to get more involved in the listening experience (nice touch including the Sgt. Pepper inner groove at the end of side 2 as well!)

Beatles fans, if you’re so inclined to buy this disc, do so without hesitation!

Granted, it is a niche product and not a necessary purchase by any means but the disc looks great, the cover is nice (I love that they kept the rear album artwork the same as the original album unlike the 1978 version) and it sounds great!

So again, have a very Merry Christmas and if you have a Beatles fan on your  list, you could do way worse than to buy this new picture disc for them. They might actually enjoy playing it which is something I wasn’t sure I’d say!

Merry Crimble and until next time, Peace!!!  (Photos of the new disc above and below)

Merry Crimble Beatle People!

Well, here we are so close to Christmas … again.

A week from today houses around the world will be filled with wrapping paper, foods of all types, happy and grumpy relatives and hopefully for those vinyl fans out there RECORDS!

This year Apple, The Beatles record company, and Universal have given Beatles fans a rare treat – a sparkling 7-inch colored vinyl collection of all The Beatles Christmas messages called The Beatles Christmas Records!!!

These discs were originally sent out to fan club members as part of their membership in the 1960s. The originals, worth quite a bit of coin nowadays, were pressed on flexi-discs. (Flexi-discs for those who don’t know are very thin discs made of plastic that had music pressed into them and you could play on your turntable but tended to slip and slide and sometimes required a coin taped to them to track/play properly.)

Both sides of the pond, UK and the US, received these cool flexi-discs attached to a newsletter and there were discs sent out for 1963 (UK only), 1964, 1965, 1966, 1967, 1968 and 1969.

In 1970 the Beatles fan club sent out a vinyl Lp to all members that contained all the Christmas messages on one long-playing record and that too is a fairly rare and expensive collectible.

Unfortunately, I don’t own any of the original Christmas flexi-discs and because I don’t this new collection of 7-inch reproductions is a welcome treat.

This is the first official release of this material by The Beatles since those fan club issues in the 1960s and for this go-around they are being pressed on vinyl (yay no flimsy flexi discs!) and have sturdy cardboard covers.

The booklet that comes with this new set reproduces the original newsletters as well and Apple Records used the best sources available they have for this material so in actuality these new versions most likely have better fidelity than the originals.

This new set is supposedly a limited edition but I’m not positive how many were pressed. I’ve seen 5,000 mentioned online but that may be what’s available just to the US and not worldwide.

Needless to say if your a vinyl and Beatles fan grab one of these cool looking sets while you can!

(Note: To anyone reading this who may be considering buying this for a Beatles fan in the family and aren’t familiar with The Beatles Christmas messages, these are more mad radio skits than music. There are snatches of music throughout the discs including The Beatles’ Christmas song “Christmas Time is Here Again” which you may here on the radio but really think more Monty Python than Bing Crosby when listening to these discs!)

Feast your eyes on photos (above and below) of this terrific new set as well as a groovy green vinyl Record Store Day Paul McCartney 45 that came out this November of his song “Wonderful Christmastime” that was performed with Jimmy Fallon and The Roots.

I also threw in some photos of a couple of bootleg versions of The Beatles Christmas material just for grins.

Merry Christmas and have a very happy and Beatle-filled New Year!!!

 

 

 

 

 

 

 

 

U2 has a new album out.

Years ago that sentence was an experience in itself.

But times marches on and “Songs of Experience”, U2’s 14th studio album, lands in a much more cynical climate. The band is not only much older but so is its audience.

Their last album “Songs of Innocence” from 2014 is a companion piece to this new set of recordings. The release of that album with it’s publicity stunt of being given free to any iTunes user whether they wanted it or not took some of the bloom away from U2’s aura as a band committed to issues and smelled of a bit too much commerce.

Don’t get me wrong, I enjoyed that album as well but I do tend to think that U2, especially Bono, worry a bit to much about their relevancy and how the arc of their career is affected by each new release.

Not that those are bad things to think about but they take care of themselves and are mostly out of ones control in my opinion. Music to me is a snapshot of the artist at any particular time.

Some snapshots make you look fat and old and some make you look young and graceful and agile – that’s life. I enjoy seeing the full picture and sometimes it’s pretty and sometimes it’s not.

The theme of this new U2 album and the last one deal with life issues and the changes they bring about so I’m glad to see the group exploring new approaches in their music. Sometimes it works and sometimes it doesn’t – that’s also life.

Having said all that, I must say I enjoy this album.

I have read a lot of criticism of the new album and a lot of it has some valid points. The songs are not quite as strong as U2’s best work and don’t have the same level of urgency as say their work from 1984. To me that’s okay.

Sometimes  I tend to think there is a certain kind of vitriol held out just for Bono as sort of a backlash to his humanitarian work and his somewhat precieved pompous tendencies.

However, U2’s music still resonates with me for the most part.

There is a slight weirdness listening to Bono sing about aging and carefree relationship topics. My mind automatically goes to songs like “Bad” or “New Year’s Day” when I hear his voice so it’s sometimes unsettling but why not take on carefree issues?

No, this is not the U2 of “The Unforgettable Fire” or “War” and that’s okay with me.

It’s time for U2 to explore this setting, these melodies and these lyrics.

Do they work? Not always, sometimes the new songs come across a bit bland. I’ve only listened to the album a couple of times so that may possibly change as time goes on.

Does the album suck? No, I think it’s quite enjoyable. I like the musical textures U2 conjures up even on some of the weaker tracks, the album as a whole is very enjoyable.

Is it as relevant to the times as say “The Unforgettable Fire” was in 1984? Probably not but so what? Snapshots are what they are – music is good or bad and I think U2’s music is good.

Highlights of the album for me are mainly the songs with a reflective and atmospheric feel such as  “Love is All We Have Left”, “Lights of Home (St. Peter’s String Version)”, “Summer of Love” and “13 (There is a Light)”.

The rockier songs tend to have a generic feel on first listen but for me  “American Soul” and “The Blackout” are standing out as good performances though maybe Bono is trying a bit too hard with the lyrics.

And maybe that’s the problem for me with some of the songs especially the pop oriented songs like “You’re the Best Thing about Me” and “Get Out of Your Own Way” – the lyrics.

I actually enjoy these songs but for me Bono tends to be overthinking at times or exploring issues that tend to feel awkward.

That’s the weight of their past creeping so maybe in time that will change. Taken on their own and removed from the past these new songs are quite good.

As of now I feel this is a very enjoyable album with a few great songs. Not bad for any artist really. I know Bono wants U2 to be seen, as do many fans, as the most artistically relevant group out there but to me who cares?

They are a great group. this is a good album. End of story. Let history say what the group’s impact is. Like it or don’t like it. But please spare me the angst of oh how the once great have fallen. It’s still good music.

I do hope though in the future Bono and U2 and can let go of the weight of expectation and just let the music be its own snapshot. Don’t worry so much, you’ve done good!

Until then, I want to play this album again. And that is the only criteria I tend to value.

Btw, did you hear U2 has a new album out?

 

 

Well, here we are. Where are we?

This past week has brought to mind all sorts of memories that I had tucked away in the back of my mind for decades.

The death of David Cassidy has brought quite a few sweet childhood memories back to the surface and suddenly I was taken back to being five years old and discovering The Partridge Family and falling in love with their show and music.

For today’s post, I’m going to highlight some of my Partridge Family memorabilia that I’ve kept from my childhood for all these many years.

Remarkably, even though I was only four to eight years old when The Partridge Family was all the rage in pop culture, I kept most of my Partridge Family records and memorabilia in pretty good shape.

Now as the title of this blog suggests, I have a pile of Partridge I’d like to share here. First up – paper dolls and lunchboxes.

Yes, I said paper dolls!

Seriously, I don’t know why my mother bought them but I did enjoy them and remember setting them up to play pretend concerts!

Jeesh sounds funny now but it is a fond memory and in this time of raw politics and ugliness I Cherish (slight pun intended for those who get it) those sweet memories even more.

I have lots more memorabilia I will highlight in future posts – once I can dig it out  – but here are some photos of my paper dolls and my trusty Partridge Family lunch box (1973 version) that I remember taking to school for many a lunch back in the day!

I thought I’d include photos from all sides of the lunchbox since you rarely see what it looks like except for the front.

Enjoy and keep getting happy if you can. Until next time!

  

 

 

 

Good evening!

Tonight I’m going to turn the way back switch to the mid-1970s – say 1975, 1976 or so.

My memory is a little bit fuzzy to the exact timeline but the one thing  I do remember clearly is the record store where all this took place – Smoky’s Record store.

You see back in those days there was this little hole in the wall record store in the city where I lived called Smoky’s Records. It was full of hundreds of 45’s of practically every hit song from the 1950s to the present day and its musty floor was filled to the brim with records of all shapes and types stacked everywhere.

The store must have been there since the 1950’s and every corner of it seemed to reek of the distant past. The walls were also lined with various odd instruments and advertising that was carefully overseen by the burly Southern owner – Smoky Montgomery.

Now Smoky had the personality of an car salesman and would have been right at home on the streets of Tijuana, Mexico.

He loved to bargain and follow you around the store to see if you wanted to buy anything. His slow drawl and thick southern accent where always touting something you needed to buy.

My oldest brother loved to go to Smoky’s Records and buy 45’s and sometimes my mother would take the both of us and I would manage to grab some of those old groovy 45’s myself.

Now let me also say that this was back in the time that Monkees records were out of print and hard to find. And of course I had abused most of my Monkees records by playing them to death and was always on the hunt for new copies and most of the time came up short.

The original Colgems pressings of Monkees albums and 45’s went out of print around 1971 so by this time it was pretty hard to find anything but the Flashback 45’s which were in print at that time I believe and available at say Musicland. (Of course we had a Musicland in our local mall but it was sorely lacking the cool atmosphere of Smoky’s and his fun record treasure hunts!)

As usual it was Smoky to the rescue as he had a huge inventory of 45’s and had a lot of old store stock that still lined the bins of his 45 inventory.

I clearly remember one shopping trip stumbling upon three Monkees 45’s on the Colgems label – “Last Train to Clarksville”(with picture sleeve), “I’m a Believer” and “Pleasant Valley Sunday.”

Now I remember being really excited to see these 45’s and equally perplexed by the look of the Colgems label.

I was used to my oldest brothers beat up 45 of “I’m a Believer” with the classic Colgems label but these Colgems 45’s had the later day Colgems logo with the red and white label but no Columbia and Screen Gems logos only the newer Colgems logo in their place.

I managed to talk my mother into buying them for me but for years I was sort of disappointed as they didn’t look like originals and I wanted to find ones with the original Colgems label.

Well I’ve come to find out that these 45’s were the last Colgems versions of these 45’s and are much rarer than the original copies. Now I’m really glad that I have them and in such great shape to boot.

These later day 45’s must have come out in 1970 or 71 (some say 1969) and corresponded to the later reissues of the first two Monkees albums with the newer Colgems logo on the rear of their jackets (more on those in a future post).

Anyway, I thought I’d spotlight those three 45’s that I bought that long ago day and post a few pictures of the labels and the Clarksville picture sleeve.

And since old Smoky has long since passed away it’s with a great fondness that I think of him and his boisterous character whenever I take these 45’s out and give them a spin on the turntable.

Take a look above and below at these most groovy later day Colgems 45 pressings.

 

 

 

 

 

Well, it looks like Christmas came early – at least for me!

Today I received eight Paul McCartney colored vinyl albums that are being re-released as part of McCartney’s esteemed Archive Collection: McCartney (red), Ram (yellow), Band on the Run (white) Venus and Mars (red and yellow), Wings At the Speed of Sound (orange), McCartney II (clear), Tug of War (blue) and Pipes of Peace (silver).

All of McCartney’s solo work new and old is back on Capitol Records after several years on the Concord record label thus the return of these albums to the Capitol fold and to my turntable.

Now, in the past I’ve not usually been a huge fan of colored vinyl but in my advancing years I’ve acquired an appreciation for all things vinyl and if it comes in purty colors all the better.

Earlier this week I did a blog post on a couple of the CD issues from this same series but  these new colored beauties are the main attraction for me of McCartney’s latest reissues so I thought I’d share a few thoughts and photos of them here so folks can see them.

As you can see from the photos, these new reissues have restored full album artwork without the distracting Archive Collection banner on the left hand side of the covers which is a welcomed treat.

The new covers look spectacular with sharp, clear artwork and all the goodies from the original issues of these albums plus a few new bonus treats.

The “Venus and Mars”album for example has all the posters and stickers that came with the album originally and the “McCartney”, “Ram” and “Wings At the Speed of Sound” albums have lyrics sheets added to these new issues which is a nice surprise.

These reissues have the same mastering as the Concord versions of this material (though no bonus tracks) and since I only had a couple of those issues on vinyl I’m excited to give these new pressings a spin and soak in some of McCartney’s best solo music on spanking new vinyl while I’m preparing for the holiday season.

One of the highlights of these vinyl issues is 1982’s”Tug of War” album which was totally remixed in 2015 for the Archive Collection and sounds much better on vinyl as the CD issue is a tad bit too loud but has been tamed on this vinyl version.

I will have to give all the others a spin soon but wanted to post some photos of the albums here first. I’ve included close-ups of all the new hype stickers – don’t you just love fresh new vinyl in the shrink wrap!

Enjoy and if you’re a McCartney fan and get the chance grab one of these beauties and give them a spin. The Archive remasters sound terrific and these new vinyl issues look superb.

To quote McCartney himself:

“Sitting In The Stand Of The Sports Arena
Waiting For The Show To Begin
Red Lights, Green Lights, Strawberry Wine,
A Good Friend Of Mine, Follows The Stars,
Venus And Mars
Are Alright Tonight.”

 

 

For anyone who grew up in the 1970s, yesterdays announcement of the death of David Cassidy was sure to bring a reaction.

Whether you liked him or not, David Cassidy was such a huge recording and television star that even if you didn’t like his work you knew who he was and knew his image.

Personally, some of the first music I ever bought and listened to was the music of The Partridge Family.

Say what you will but the music that David Cassidy recorded as a part of The Partridge Family still endures, still entertains, still brings a smile and still sounds great. It’s lasting, it’s well written and most importantly well sung by David Cassidy.

The first three Partridge Family albums especially – The Partridge Family Album, Up to Date and Sound Magazine – are loaded with one pop gem after another: “Point Me in the Direction of Albuquerque”. “Somebody Wants to Love You”, “I Think I Love You”, “Brand New Me”,”Only a Moment Ago”, “I’ll Meet You Halfway”, “Doesn’t Somebody Want to Be Wanted”, “Morning Rider on the Road”, “I’ll Leave Myself a Little Time”, “You Are Always on My Mind”, “There’s No Doubt in My Mind”. “One Night Stand”, “I Woke Up  in Love This Morning”, “Echo Valley 2-6809”, “You Don’t Have to Tell Me”, “Rainmaker” and “I’m On My Way Back Home”.

David Cassidy’s lead vocals highlight all of The Partridge Family recordings and his impassioned delivery is really what makes these songs shine. His voice was so right for pop music and oh so right for these songs.

Above and below I’ve shared photos of all The Partridge Family and David Cassidy CDs I  own. I hope if you’ve never heard this music, you should make it a point to explore it sometime.

It took me a while to really explore Cassidy’s solo music but there are also some gems on those albums as well. They feature a bit more rock and soul which was more to his personal tastes but again they are well written and produced and sung exceptionally well.

The Razor and Tie issues of The Partridge Family albums are best (the first five Partridge family albums) but thankfully all The Partridge Family albums were released on CD and can be found pretty easily.

There are also several greatest hits the best of which is “Come On Get Happy!: The Very Best of The Partridge Family” which is the only place you can find the songs “Together (Havin’ a Ball)”, “Let the Good times In” and “Stephanie” which were all featured on The Partridge Family TV show but not released until this collection.

Whether you seek this music out on disc or online take a moment to listen and yes come on get happy.

The best tribute to anyone is not to be forgotten. And as long as people listen to music David Cassidy will not be forgotten. At least not by me or the millions who grew up listening to him.

One of my favorite Partridge Family songs “Only A Moment Ago” says what I’m feeling so beautifully:

“Why has the music stopped? 
Where did all the happy people go?
I know they were there, songs everywhere
Only a moment ago.
I only blinked my eye; and now the world that I used to know
Is changing’ on me; why can’t it be
Only a moment ago?”

R.I.P. David Cassidy

Howdy folks!

Well, it’s the week for turkeys and appropriately enough I’m a turkey for CDs. Well, at least collecting them.

As anyone who has read this blog will know, I tend to take the irrational road on occasion for my love of the physical medium and also on occasion I buy a reissue of my favorite album or albums knowing full well that:

A) I need this CD like a hole in the head

B) It’s not even a new mastering just different packaging

C) All of the above and more

(Note: This blog post tonight is mainly for the hardcore McCartneyits out there who might enjoy seeing how these new Capitol Records version look and see inside them a bit. Trust me I know it’s a bit much but then that’s collecting!)

Below are two of new reissues of Paul McCartney albums that are a part of his Archive Collection: Venus and Mars and Tug of War

Eight titles in the Archive Collection were re-released last Friday in the following formats: regular vinyl, colored vinyl and CD.

Are you still with me?

These eight titles are being reissued because Paul McCartney just recently went back to Capitol Records his home for the majority of his career. They were previously issued on the Concord label in 2 CD versions with bonus tracks but these new issues are just the regular albums that folks know and love.

There is no difference in the mastering from the Concord releases but the albums have reverted back to the artwork that they were originally issued with when they first came out.

The Concord releases of these albums had a white bar added to the left hand side of the cover which obscured some of the artwork much to the chagrin of McCartney fans. These new issues show the entire artwork and look fantastic and sound great as well – the remastering and remixing of these two albums is really nice!

Those who have never owned the Concord versions and are just looking to have these albums without bonus tracks are in for a real treat. Anyone who does own the Concord issues will most likely punt on these unless like me you are just this side of “seriously dude?”

Anyway, soon I will spotlight the colored vinyl versions but here’s a taste of two of the new CD reissues. Since this is most likely the last versions of these albums to be released on CD I couldn’t resist adding them to my collection.

So check them out (above and below) and take it away! (I know, lame but the thought was there!)

 

 

Fakes.

Copies.

Reproductions.

These three words strike fear in the hearts of collectors everywhere. Trust me I know!

Over the years I, along with thousands of other trusting souls, have managed to find a few choice fakes of some really cool items, mostly Beatles items.

Today I’m sharing two fake finds I own that are really interesting:

• Reproductions of early Beatles 45’s with picture sleeves
• A set of four “Mexican” Beatles REMCO dolls

Most of my fake finds were acquired in the late 1970s and early ’80s through mail order or magazine ads. At a time I was young and naive and was desperate to find some original treasures that were cheap and looked amazingly genuine.

I had a thing for Beatles 45 picture sleeves and when I was twelve I saw a mail order ad featuring a slew of singles with their picture sleeves cheap and mint. I was hooked! Couldn’t put my order in fast enough.

For any future collectors out there, finding rare items for what seems like too good a deal usually is a red flag.

These reproductions were so nice looking that for a few years I thought they were the genuine items. It wasn’t until I bought a real sleeve of one of the singles at flea market that I realized I had been swindled.

Don’t get me wrong, every now and then I still manage to score a few dudes on ebay or from the Amazon marketplace but for the most part I am much more aware of what a real item looks like and I’m not willing to spend much money unless I’m certain an item is real.

Thankfully I’ve never been taken for large sums of money for fake items and in my younger days I thought cheaper price meant better bargain. Nowadays my first thought is cheap equals phony or abused.

Look at my photos of these fakes or reproductions (below).

Take a close look at the Beatles Swan and Capitol 45’s. From a distance the sleeves look great and so do the labels. Impressive actually.

But when you take a closer look you can see the fuzzy blur on the photos (see “We Can Work it Out” sleeve) and the font on the Capitol singles labels is slightly different from originals as well as the colors of the yellow and orange swirl.

Also if you look closely at the matrix markings in the run out grooves they are not machine stamped like originals but sloppily hand etched.

The best reproduction that I knew was most likely a fake even when I was buying it is a groovy set of Beatles REMCO dolls (see photos above and below) that I bought on ebay about 11 years ago. They were listed as “Mexican” made Beatles REMCO dolls that were supposedly quite rare and original.

Now I’ve never found any trace of REMCO Beatles dolls being produced in Mexico but this set was only $75 and since they look so funny with the super long hair I thought they would look great on display.

They do resemble the genuine REMCO dolls but lack instruments around their necks and have colored eyes and painted eyebrows (unlike originals) and the hair on these REMCO repros is about three times as long as the real dolls!

That hair!

It’s so out of control and over the top that it really makes these reproductions worth owning as long as you don’t pay too much. Side by side with original REMCO dolls I actually enjoy the freakish look of the fakes to the originals!

There are so many resources in print and online these days that it’s now much easier to spot fakes but there are some really good ones out there.

Feast your eyes on these fun reproductions and as always BUYER BEWARE!

Enjoy and until next time Happy Collecting!!!

 

 

 

 

 

 

 

 

 

Thank God It’s Friday or so the saying goes – and boy am I ever!

Today here in Blogland I thought it might be fun to take a look at a few things I found recently that will bring back some fond memories for those of you who were music fans in the ’70s and ’80s.

It’s sort of a virtual musical dumpster dive into my grab bag of weird items I’ve saved forever for no apparent purpose other than to fill up this blog lol.

So let me take you back about 37 or 38 years or so. Back to a time before cell phones – can you believe there was such a time? Back before personal computers, Google, Netflix and certainly back before downloading.

You see back in my late grade school and high school days (1978-1981) music shopping for me meant haunting department stores to get my current music fix.

Of course looking back it makes perfect sense. I didn’t have my driver’s license until 1981 and since I was usually going with a parent or friend’s parents to department stores that’s where I found most of my music and records.

Back then I followed the Top 40 religiously and knew every artist and new song and kept track of every chart movement and every stat of my favorite groups much like a rapid sports fan.

I loved to listen to Casey Kasem on American Top Forty on the radio and that show pumped me up for my record shopping excursions.

Nowadays I’m lucky to even recognize anything in the Top 40 but for a few short years I loved all the current hits and bought a good share of them as well.

What I usually did whenever I went to say a Kmart or Montgomery Wards store was march over to the record section and grab a few flyers advertising the latest hits or the most popular hits at that particular store.

Most of them were just printed on flimsy pieces of colored paper that I’m sure didn’t survive the passage of time, errr in normal households.

I, of course, did manage to save a few of these lovely flyers which is really a nice time capsule as it takes me back to that time in a vivid way. Makes me want to grab for a frozen Coke which I often did while reading them back in the day.

Oh, the other thing that I want to share (see photo above for front and below for rear) is a rack card for a Flashback 45 of The Monkees “I’m a Believer”.

This is my earliest item here today and it was purchased in the mid-1970s from a grocery store not a department store.

I distinctly remember a local grocery store stocking several of these hit 45s which were part of a series called “20 Years of Gold – Gold Hit Records from the Past”. Remember those?

The store had a huge display filled with these cards which had the 45 shrink wrapped on them near the bottom of the card.

For some reason I kept the card for “I’m a Believer” but I also remember buying some Mama’s and Papa’s 45s as well as The Association. My packrat ways must have been started then as I felt the need to keep this card for The Monkees but there you go lol.

Below you’ll find a few of the music flyers I kept from department stores.

They are fun to look at and when I do it doesn’t seem quite possible that they were from so long ago – could it possible be over 35 years ago?!! Maybe you’ll spot some favorite songs as well.

Until next time be well and relax, it’s Friday!!!