Haunted By the Past – The Beatles Anthology Returns

Believe it or not this November will mark thirty years since The Beatles issued their critically acclaimed multi-media “Anthology” documentary series. Thirty years! It hardly seems possible.

Not only was “The Beatles Anthology” a multi-part video documentary, it also spawned three double CD sets, all of which hit the number one spot of the Billboard Hot 200, as well as a lovely coffee table book that expanded on the interviews in the documentary.

Originally conceived shortly after the group’s break-up in 1970, with the working title of The Long and Winding Road, The Beatles Anthology was the result of many years of searching for and compiling all the pertinent video and audio from the bands history as a group.

This huge mass of archival footage and music was pieced together with interview footage from the three surviving Beatles, as well as archival interview video and audio from John Lennon, to form The Beatles Anthology which is the band’s final and only official version of what happened to them in their journey as a group called The Beatles.

At the time the series was released in 1995 it was the beginning of The Beatles opening up their vaults in a major way as the group finally began to embrace its own legendary past.

Previously the “Live at the BBC” album, which was released 1994, was the only comprehensive set of unreleased music that had managed to come out as a fully-sanctioned new Beatles release since their break-up in 1970 so this new video and audio documentary was quite the revelation.

Of course the way “The Beatles Anthology” ultimately turned out was also due in large part to all of the high quality bootlegs of unreleased Beatles music that had been flooding the underground market since around 1988 which gave a much wanted glimpse into how The Beatles worked in the studio carefully crafting their recorded output.

And if that wasn’t enough also included among all the archival material were two brand new Beatles songs, the first new Beatles songs since 1970 – “Free As a Bird” and “Real Love”

In January 1994, Paul McCartney was given unreleased demos of songs John Lennon made at home in the ’70s. Amongst those songs The Beatles picked three – “Free As a Bird” ,“Real Love” and “Now and Then” – to embellish by adding new vocals and backing tracks and dropping Lennon’s voice and piano into the mix thus creating the first new Beatles songs in over twenty-five years.

Of course both “Free As a Bird” and “Real Love” were big hits both reaching the upper regions of the charts worldwide while “Now and Then” had a much longer gestation finally being released in 2023 and hitting the top of the British charts and placing in the Top Ten in the US.

Now here we are in 2025 and The Beatles Anthology is coming out once again this time with a special anniversary edition in both video and audio.

The Disney Channel will exclusively stream the 2025 video series that has been upgraded in picture and sound by renowned director Peter Jackson starting this November on the 21st – thirty years to the week the original Anthology premiered on US television.

Now totally nine episodes, including an extra episode featuring new footage of the surviving Beatles working on the music during the making of the original Anthology series from the 1990s, this new 2025 version of The Beatles Anthology is something that I’m personally looking forward to seeing. 

The brief clip of some of the restored footage looks very enticing so I’m hoping that the much needed buffing up of all the magnificent footage that encompassed the original Anthology documentary is well worth the wait.

There will also be a new box set of the music from The Beatles Anthology that will comprise the original three double CDs (and triple vinyl packages) as well as a new Anthology 4 set that will include 13 previously unreleased studio outtakes and outtakes that previously appeared on the special deluxe sets of Beatles albums that have been released since the 2017 “Sgt. Pepper” box set.

This new version of the Anthology audio sets has been remastered by Giles Martin and both “Free As a Bird” and “Real Love” have both been remixed by original producer Jeff Lynne and feature much clearer vocals from John  Lennon. 

I’ve the new mix of “Free As a Bird” and I must say I really like it. Lennon’s voice is so much more prominent that it seems as if he’s singing with Paul McCartney and George Harrison as opposed to his voice sounding like it was floating in the mix below them as in the original 1995 mix.

I love that the original mixes of both “Free As a Bird” and “Real Love” will still be available as part of the Anthology 1 and Anthology 2 sets in the new box set as well as the new mixes which will appear on the new Anthology 4 set.

Now there has been a lot of bad buzz from fans online to this new set which is a little baffling to me. Most fans don’t seem to want the remastered Anthology 1, 2 and 3 sets as a group as they mainly want the new Anthology 4 which contains the 13 previously unissued outtakes which can only be purchased as part of the new Anthology collection.

I mean I get that for sure but I personally have wanted a remastered complete set of all the Anthology albums so I’m stoked to have the complete collection.

As for Disney+ I’m a little bit more concerned that they’re streaming the new series as they tend to not want to release their content in physical form. To me The Beatles Anthology is the one set by the group that I’d rather have in physical form than streaming as all of the older clips and interviews are a terrific watch and I do go back to them often.

I’d prefer a Blu-ray set of the new series but will be happy to at least see how Peter Jackson has transformed the look of the footage and hopefully I won’t be disappointed. I’m guessing it will look fabulous but time will tell.

I’ve included photos above of the terrific Beatles Anthology Director’s Cut bootleg DVD set that features a rough cut of the series with different interview footage and different edits that is really fun to compare to the finished version.

In an ideal world this would make a wonderful bonus addition to any physical release of The Beatles Anthology but I’m sure that that would never happen.

As it is I’m excited to see and hear this new revamped Beatles Anthology 2025 and will report what I think of the makeovers when they are released this Fall.

Until then enjoy the photos above and be well and see you soon.

List of songs on the new Anthology 4 set (from thebeatles.com):

Anthology 4

CD Disc One:

  1. I Saw Her Standing There (Take 2)
  2. Money (That’s What I Want) (RM7 undubbed)
  3. This Boy (Takes 12 and 13)
  4. Tell Me Why (Takes 4 and 5)
  5. If I Fell (Take 11)
  6. Matchbox (Take 1)
  7. Every Little Thing (Takes 6 and 7)
  8. I Need You (Take 1)
  9. I’ve Just Seen A Face (Take 3)
  10. In My Life (Take 1)
  11. Nowhere Man (First version – Take 2)
  12. Got To Get You Into My Life (Second version – unnumbered mix)
  13. Love You To (Take 7)
  14. Strawberry Fields Forever (Take 26)
  15. She’s Leaving Home (Take 1 – instrumental)
  16. Baby, You’re A Rich Man (Takes 11 and 12)
  17. All You Need Is Love (Rehearsal for BBC broadcast)
  18. The Fool On The Hill (Take 5 – Instrumental)
  19. I Am The Walrus (Take 19 – strings, brass, clarinet overdub)

CD Disc Two:

  1. Hey Bulldog (Take 4 – instrumental)
  2. Good Night (Take 10 with a guitar part from Take 5)
  3. While My Guitar Gently Weeps (Third Version – Take 27)
  4. (You’re So Square) Baby I Don’t Care (Studio jam)
  5. Helter Skelter (Second version – Take 17)
  6. I Will (Take 29)
  7. Can You Take Me Back? (Take 1)
  8. Julia (Two rehearsals)
  9. Get Back (Take 8)
  10. Octopus’s Garden (Rehearsal)
  11. Don’t Let Me Down (First rooftop performance)
  12. You Never Give Me Your Money (Take 36)
  13. Here Comes The Sun (Take 9)
  14. Something (Take 39 – instrumental – strings only)
  15. Free As A Bird (2025 mix)
  16. Real Love (2025 mix)
  17. Now And Then

Happy Birthday Sir Paul! – Paul McCartney’s Columbia Records Output Part 2: Reissue Vinyl

Happy Birthday Sir Paul!

Eighty-three years ago today, Paul McCartney came into the world in Liverpool, England and to celebrate I thought it might be fun to take a look at my copies of his Columbia Records output on vinyl.

Several blogs ago I took a look at his CBS CD’s that I own but recently I’ve stumbled upon a few really cheap pressings of his CBS vinyl so I thought it was time to share what I found and what I own from McCartney’s short tenure on the Columbia label – specifically reissues of his Apple/Capitol albums and not new recordings.

For me, sharing McCartney’s recorded output is the best way to celebrate his life so what better way than on his birthday to delve into his Columbia Records pressings and post some photos here as you rarely see them online.

For those who don’t know, Paul McCartney was signed to Columbia Records exclusively for the North American market from 1979 to 1984.

Not only did he release new albums on Columbia (“Back to the Egg”, “McCartney II”, “The McCartney Interview” (not a studio album, it contained interviews), “Tug of War”, “Pipes of Peace” and “Give My Regards to Broad Street”) he also released his eight of his albums that originally came out on Apple/Capitol Records from 1970 to 1977.

The Apple/Capitol albums he reissued on Columbia include: “McCartney”, “Ram”, “Wild Life”, “Red Rose Speedway”, “Band on the Run”, “Venus and Mars”, “Wings at the Speed of Sound” and the triple Lp set “Wings Over America”.

The initial Columbia issues of McCartney’s Apple/Capitol albums that had goodies like booklets and posters and special labels (“Red Rose Speedway”, “Band on the Run”, “Venus and Mars” and “Wings at the Speed of Sound”) were issued exactly as the originals but were then replaced a couple of years later with copies with just the basic red Columbia label and no frills.

One exception is the “Wings Over America” triple album that was reissued in 1984 shortly before McCartney went back to Capitol in North America and it was issued just like the original issue but without the poster.

I own Columbia issues of the “Venus and Mars” album both with the posters and stickers and the issue with the same fold out cover but no extras (see photos below).

I believe the Columbia reissues of McCartney’s Apple/Capitol albums first started appearing around 1980/81 and continued until that last Columbia reissue of the “Wings Over America” album in 1984.

I have to say that while it’s not common to find the Columbia albums they aren’t too terribly hard to find out in the wild except for maybe the “Wings Over America” set which I’ve only seen once and bought.

Weirdly enough I’ve just recently come across two different Columbia pressings of the “Wild Life” album (one a promo copy and one a pressing from Canada) so the Columbia pressings do turn up unexpectedly from time to time. They must have sold relatively well especially “Band on the Run” and “Venus and Mars” which are the ones I see the most.

One thing I can say for sure is that these Columbia pressings of McCartney’s albums sound very good, and in some cases, excellent. I found the Columbia pressings of “Band on the Run” and “Ram” to sound the best of the Columbia issues but the others aren’t far behind.

All of the Columbia pressings I own are in excellent shape with quiet vinyl and are a joy to listen to compared to some of my Apple/Capitol pressings which are a bit more worn.

Well, that’s all for now. There are a ton of photos above and below of my Columbia pressings so feast your eyes if you’ve never seen them.

Again, Happy Birthday Sir Paul and may you have many more!

Until next time be happy, healthy and well and see you soon.

Tonight at 7:30 on NBC-TV: “Monkees in the Shrink” and “Mismatched Monkees” Brought to You By Kellogg’s

I’m back and not as long a wait as last time!

Today I thought I’d take a look at some fun Monkee finds that I’ve happened to find in the last five months or so throughout my antique travels. It’s been a fruitful time for Monkees scores for me so I hope that the rest of 2025 keeps up the pace.

But before I go full tilt into today’s post I just have to give some background on my lifelong search for Monkees records.

As I’ve said before, back in the dark ages – from 1972 to say oh 1985 – it was a hard task finding used Monkees records at least in my neck of the woods. In that long ago era The Monkees were seen as so uncool and disposable that there just wasn’t much of a demand for their used records I guess.

At least I rarely found them and if I did it was at garage sales and you usually found the first three albums and they almost always looked as if they’d been used as frisbees – barely playable that’s for sure.

Fast forward a few decades or so and I have to say that I am so surprised to find plenty of used Monkees albums and many of them still in the shrink – and often fairly cheap!

Case in point – this blog post.

Of course I’ve also found some really offbeat mismatched records too and those have been fun as well.

So let’s get started.

I named this blog as if they were two lost Monkees episodes from the 1960s – “Monkees in the Shrink” and “Mismatched Monkees” – just for a bit of fun.

“Monkees in the Shrink”:

This first section is in honor of all the groovy Colgems Monkees albums I’ve found lately still with their shrink wrap intact. Some still have price tags (I love it when they still have the price!) and two of them looked as if they had never been played at all and if they were it was very light as there are no spindle marks on their labels at all.

So what did I find? Here’s the list:

“The Monkees” in both mono and stereo both RE pressings, “More of the Monkees” stereo RE pressing with the later Colgems label on the rear panel, “Headquarters” stereo first pressing, “Pisces, Aquarius, Capricorn and Jones, Ltd.” stereo first pressing and a first stereo pressing of The Birds, The Bees & The Monkees”.

The crazy thing is I paid under $10 for all of them except for “More of the Monkees” which was $20, a fair price considering it’s about as near mint as you can get.

The other thing that amazed me was just how good most of these records sound. Two of them – “More of the Monkees” and “Pisces, Aquarius, Capricorn and Jones, Ltd.” – are the two best sounding stereo pressings of these albums I own and I own quite a few.

Both of them are in pristine shape but neither of them had any sibilance issues that plague many Colgems pressings and the copy of “Pisces, Aquarius, Capricorn and Jones, Ltd.” in particular is what I would call a hot pressing as it just jumps out the speakers with a force and clarity that my other issues of this album lack.

If there are any Monkeefiles out there check the matrix numbers on any used copies of this album you find and if you see these (Side 1 – UZRS-9729 6S, Side 2 – UZRS-9730 6S) grab it because it’s one majorly dynamic pressing.

That’s not to say the other pressings don’t sound great, they do (well, okay this copy of The Birds, The Bees & The Monkees is a little worn and has some sibilance issues) it’s just those two I just mentioned sounded so outstanding it really surprised me.

“Mismatched Monkees”

Now here is the section of some odd finds. To top the list I found the cover for the 1969 album “Present” but inside it had both discs for the 1971 Colgems compilation Barrel Full of Monkees.

Luckily both discs were in VG shape and played amazingly well. This pressing is one of the early 70s flexi type thin vinyl issues but I was surprised at just how good they sounded. It was a little dirty but after a good cleaning it played just fine and with much more bass and detail then I was expecting.

And the best part it was in the dollar bin so that made it too hard to resist so I bought it.

In that same store I also found a somewhat dirty copy of the 1968 single “D. W. Washburn/It’s Nice to Be with You” with the “D. W. Washburn” label on both sides. Very cool oddity and again after a good cleaning this 45 sounds amazing. I am impressed that Colgems 45s in most cases play great even if they look terrible.

Another cheap find at that same store was a stereo copy of “The Monkees” stuck inside a really lovely mono cover. It was only $2 so I thought I’d get it just for the cover as the record looked a bit loved but again after cleaning the album it sounded so good that I decided to keep it.

(Btw, this stereo copy of “The Monkees” has a matrix that ends in 10S for Side 1 and 5S for Side 2 – for any Monkee nerds out there)

Of course I may need some therapy as I own several copies of this album but what the hey, right?

Well, that’s my latest Monkees finds for today. As usual you can see plenty of photos of these gems above and below and I also listed the matrix numbers below in case anyone was curious.

Until next time be healthy and well and happy spring and happy record hunting if you’re so inclined!

Matrix guide for the albums above:

Barrel Full of Monkees:
Side 1 – ZZRS-6425 3S
Side 4 – ZZRS-6426 3S
Side 2 – ZZRS-6427 4S
Side 3 – ZZRS-6428 3S

Pisces, Aquarius, Capricorn and Jones, Ltd (Stereo):
Side 1 – UZRS-9729 6S
Side 2 – UZRS-9730 6S

The Monkees (Mono RE):
Side 1 – TZRM-4687 9S
Side 2 – TZRM-4688 15S

The Monkees (Stereo RE):
Side 1 – TZRS-4689 2S
Side 2 – TZRS-4690 5S

More of the Monkees (Stereo RE):
Side 1 – TZRS-8693 20S
Side 2 – TZRS-8694 12S

Headquarters (Stereo):
Side 1 – UZRS-8397 12S
Side 2 – UZRS-8398 12S

The Birds, The Bees & The Monkees (Stereo):
Side 1 – WZRS-3519 5S
Side 2 – WZRS-3520 5S

A Pile of Partridge 2025 – Come on, Get Happy!

Well I’m back after a long absence of a couple months or so. Since it was winter and dreary I really wasn’t in the mood to do much so I took a bit of an extended break.

Luckily in the last three weeks or so I’ve had a chance to search antique and record stores far and wide and have found three particularly wonderful finds.

It just so happens that they all are fairly rare Partridge Family finds, two of which I never found in the wild, and all three in lovely minty condition!

Here’s what I found:

* “The World of The Partridge Family” – this is probably the rarest of The Partridge Family albums. It’s a two record set released in 1974 at the end of the television series. Not only did it look unplayed but was in the shrink wrap with a hype sticker!

* “The Partridge Family At Home with Their Greatest Hits” – this particular pressing I didn’t even know existed. I searched online after I found it and was surprised to learn that Arista records must have released this in the ’80s sometime. Another stone mint record that actually sounds better than the Bell Records pressing from 1972.

* “The Partridge Family Album” – this is a pressing of their first album from the UK. I have another copy of this UK pressing but it’s fairly beat up so I was glad to find that this one doesn’t look like it’s ever been played, truly near mint condition.

How do they sound you ask?

Well I have to say I was pleasantly surprised that all three of these albums sound superb. The biggest surprise of all of them was “The World of The Partridge Family” which is probably the best sounding Partridge Family vinyl I own.

Not only was the two-disc set mint but this pressing is truly wonderful with super quiet vinyl (a rarity for Bell Records from the 1970s I assure you) and very dynamic with a lot of bass and a clarity that isn’t present on most Partridge Family Bell Records pressings.

Original Partridge Family albums are notoriously hit or miss sound wise but this set just shines and may be my favorite sounding Partridge Family album – truly superb from start to finish and a nice song selection to boot.

The Arista pressing of “The Partridge Family At Home with Their Greatest Hits” was also surprising as it bests the original 1972 pressing though it’s not quite as dynamic sounding as “The World of The Partridge Family”. Lovely to have and another great listen. Odd to see the Arista label on a Partridge Family vinyl release but nice.

I guess the biggest surprise was how great the UK pressing of “The Partridge Family Album” sounds! UK pressings of Partridge Family albums were most likely made from a tape a generation away from the ones that made their first US pressings but this particular first UK pressing is dynamic sounding with a lot of nice bass and a truly wonderful quality pressing that was silent and very warm sounding. 

I have to say of all the pressings I own of this album this may be my favorite. I have other UK pressings of Partridge Family albums that don’t sound nearly this good.

The other wonderful thing about these albums is that all three of them were each under $5. Yes, you heard right, $15 for the three of them!!! I found them at an obscure antique mall that weirdly enough had a lot of foreign pressings and oddities.

I’m guessing that most people don’t think that Partridge Family albums have much value but “The World of The Partridge Family”  is especially tough to locate and on top of that near impossible to find still with the shrink wrap with a hype sticker and in near mint condition. This album didn’t particularly sell well at the time so they aren’t as plentiful as their regular albums which are fairly easy to locate.

And again I never even knew the Arista pressing of “The Partridge Family At Home with Their Greatest Hits” even existed so I was ecstatic to find it. I’m guessing this was reissued sometime in the 1980s but I don’t know the exact date or how long it was available. I have never seen one before but online I do see that it is out there but I’m guessing it’s fairly rare.

I can honestly say that all three of these albums are probably my favorite Partridge Family find ever while antiquing. Cheap, rare and wonderful – which is the best way to find them.

A great way to start 2025, collecting wise at least.

Well that’s all for now. I have a few other finds I’m going to be posting shortly so I just wanted to add this to the list of truly wonderful record discoveries found in some out of the way and obscure places.

Until next time I hope everything is well in your world and hopefully we’ll all be able to survive 2025 intact LOL.

See you soon!

 

At Last: A True Mono Pressing of “The Birds, The Bees & The Monkees” (From Venezuela) Has Landed!

Good things come to those who wait – or so they say.

As for me I have to say this year has turned out to be one of my best years so far for vinyl purchases and it’s only 16 days old!

Today I received a package containing a Venezuelan pressing of The Monkees fifth album “The Birds, The Bees and The Monkees” and to top it off this particular pressing is in MONO! True, glorious mono!!!

If you read this blog at all you’ll know that the true mono mix of “The Birds, The Bees and The Monkees” album on vinyl is supremely rare and very difficult to find. The true mono mix was of course first issued in the United States but there were several other countries that also released this particular mix.

(Note: Countries that issued the true mono mix of “The Birds, The Bees and The Monkees” include: Australia, El Salvador, India, Israel, Mexico, Philippines, Puerto Rico, South Africa, USA and Venezuela – this list comes from the superb Monkees Website Monkee45s.net)

The several countries like the UK and Canada that did issue a mono mix of “The Birds, The Bees and The Monkees” album didn’t use the true mono mix but instead used a fold down of the stereo mix. While this version sounds fine it’s missing all of the unique mixes that make the true mono USA mix sound so special.

I’ve had a couple of those fold down versions and while they’re decent listens they’re nothing like listening to the actual mono mix which is my preferred way of hearing this album.

As far as the songs go the two most radically different sounding mixes are for “Auntie’s Municipal Court” and “Tapioca Tundra” as they both sound far superior to their stereo counterparts with a snap to the guitars and vocals that’s not present in stereo.

Many of the other songs have subtler differences like more echo or a better blend of the instruments and overall the sound of this mono version comes across as a bit grittier and a bit more psychedelic sounding than the regular stereo mix that most people have know for decades. 

And trust me, it’s nearly next to impossible to locate a mono Colgems pressing of “The Birds, The Bees and The Monkees” in the wild as I’ve searched for over forty years and never found one. I do see online people finding them at antique stores or yard sales but I’ve personally never found one.

Of course I could always have paid a fortune for a USA mono mix on ebay but the hunt for a decent copy at a decent price has always been one of my favorite pastimes and lo and behold the day after my last birthday, January 14th, this gem landed in my mailbox. Happy birthday to me.

There has been a reissue on Rhino Records in 2009 of the true mono mix that was taken from a vinyl copy of a foreign mono pressing of this album and while that version is decent there’s no comparison to a true mono pressing which has a sparkle and vibrancy that’s missing on any other version.

For some reason the the mono transfer from that 2009 3 CD box set of “The Birds, The Bees and The Monkees” just sounds lackluster compared to a 1968 mono vinyl copy. Don’t get me wrong it’s a decent transfer but this Venezuelan vinyl copy just blows away the sound of the version on the 3 CD set for sure.

Until the mono master tape of “The Birds, The Bees and The Monkees” is found the best way to hear this unique mono mix is a vinyl copy of the album from 1968.

(Note 2: the mono master for “The Birds, The Bees and The Monkees” has been missing in action for decades. There are mono mixes on tape of some of the songs from the album but the entire mono master has yet to be found.)

I do have some of the mono mixes of songs from “The Birds, The Bees and The Monkees” on two Mexican EPs (see a previous blog post in search) and those sound just as exciting as this mono LP that I just received. For anyone who’s never heard the true mono mix from a vinyl source it’s an unbelievably great sounding recording and well worth tracking down if you can find one at a decent price.

Weirdly enough just this past Friday I was looking online at the Discogs Website (a great Website to buy physical media – discogs.com) and stumbled upon a listing for a Venezuelan mono copy for $40.

Of course my eyes nearly popped out of my head and while there were photos of an actual Venezuelan pressing I had the sneaky suspicion that these weren’t photographs of the album that this person was selling. They were the same photos of the mono version from Monkee45s.net.

Because the price was so good I decided I’d go ahead and order it and if I got burned I got burned. The seller said the album cover and the vinyl itself were both in VG condition with ink marks on the back of the cover and a few tape marks on the front and back of the cover as well.

After receiving the album yesterday and playing it I am happy to state that the covers really in pretty decent shape except for the marker on the back (truly in VG condition) which doesn’t matter to me as the vinyl inside I would say is VG++. And it does indeed play the rare true mono mix!

In fact I can honestly say this is probably the best sounding vinyl copy of any Monkees foreign pressing  I’ve ever purchased! Not a hint of crack or pop and it looks like it’s been super well cared for and in great shape.

Needless to say I couldn’t be more pleased and after all these years having tried to hunt down the true mono mix on vinyl all I can say is it was well worth the wait.

So there you have it. Happy 2025 and may the rest of this year bring such good luck in physical media pursuits!

As usual you can see photos above of this groovy mono copy of “The Birds, The Bees and The Monkees”.

Until next time be happy and well and see you soon!

 

Weekend Antique Store Scores: Monkees “HEAD” RE, “The Birds, The Bees & The Monkees” UK Mono and Two CD Bin Displays (Lennon & McCartney)

As 2024 comes to a close, I must say this past year may go down as one of the luckiest years in recent memory for me at least for antique store finds.

Just this past weekend in fact, I may end the year with some of my most surprising finds from a little dingy out of the way antique store that was open for the last day before it was being moved to another location next year.

Yesterday I was making my usual trek through some antique locations that I drop in on from time to time and happened upon a sign saying store closing -deals inside. Now this particular antique store was one I usually passed by as I never really find much there but with a fifty percent off sign staring me in the face I thought “sure, why not”.

I’m glad I did.

I actually hadn’t been inside this store for quite a while so I thought maybe they may have something worthwhile this time and to my surprise they sure did!

Most of the booths were in the process of being packed away and dismantled but toward the back there was one booth full of music posters with CDs as well as vinyl so I naturally took a look through the bins to see what they had.

The first lucky find was spotted by a friend who was with me. She said they have a couple of photos of John Lennon and Paul McCartney on a shelf and was I interested in looking at them.

I said that I really wasn’t interested in photos as I made my way through the vinyl but she handed me a small cardboard cutout with the art work from John Lennon’s “Shaved Fish” album and that got my attention.

“What the?” I thought to my self as I stared at what looked like a very thin longbox for the CD of “Shaved Fish”. In fact it indeed was the same artwork from the late eighties CD issue longbox of Lennon’s first solo greatest hits album but was flat as a pancake.

The sticker on the rear of the item said CD bin display and was marked $9.99. Just as I looked up I noticed a couple of shelves up a similar cardboard display but this one was for the Paul McCartney and Wings album “London Town”.

I own this particular longbox and it is indeed the exact same artwork but flat and not in box form.

Since they were fifty percent off I thought it was interesting enough for sure to buy them. For the life of me I don’t remember ever seeing many, if any, solo Beatles CD bin displays or holders so this was a cool find. At least it made the trip worthwhile.

Just as I was about to leave I noticed one more crate of records and this one had a Lovin’ Spoonful album in front so I was excited as it was the right era as I am all about the 1960s.

As I made it to the middle of the crate I could see the shiny reflection of what looked the like the cover of The Monkees 1968 album “The Birds, The Bees & The Monkees”. My heart stopped for a moment as I secretly hope it was a foreign pressing of this album and maybe just maybe a true mono copy from Australia or something.

(Note: copies of Monkees albums from overseas are sometimes laminated on the front especially copies manufactured in the UK and other countries)

Well I was almost correct, it was indeed a mono copy of this album but it was a mono copy from the UK. My heart sank a little. It was really cool to find a UK copy of any Monkees record in an obscure antique store but this particular album was not a true mono copy.

(Note 2: mono copies of the US pressing of “The Birds, The Bees & The Monkees” are super hard to find and very valuable. In fact I’ve never seen one in person. The mono mix of this album is very different from the common stereo pressing and is very desired by collectors.

Some other foreign countries released this true mono mix including Mexico and Puerto Rico but the UK copy is just the stereo mix folded down to mono thus does not include the groovy rare true mono mixes that make this mono album desirable)

Again since this too was marked $9.99 and fifty percent off of that I thought I’d buy it as I may never see another copy and certainly not this cheap. The matrix on this copy ended in 1K so it must be a first UK pressing though honestly I’m not sure how well it sold in the UK as it wasn’t a big hit there so it might not have had a second pressing.

I also have to say that while this isn’t a true mono mix of the album I thought it sounded pretty darn good and I swear that even though it’s a fold down the Mike Nesmith tracks especially have enough of a difference to make it interesting as the fold down process highlights different sounds making them sound like slightly different mixes.

The absolute true score of the day though was the album right behind it.

As I lifted out the UK mono “The Birds, The Bees & The Monkees” I saw another 1968 Monkees album; a dirt covered Colgems pressing of the soundtrack to their only film called “Head”.

I have a couple of copies of the original Colgems “Head” album so I wasn’t that intrigued until I flipped this particular copy over.

In the upper right corner of the back cover I saw the letters “RE”. For those of you who don’t know RE on Colgems albums means reissue and this dirty copy of “Head” is the very difficult to find second pressing of the album that corrected the spelling of Gerry Goffin on the lower right hand corner of the album (see photos above).

This is only the second copy of this RE pressing I’ve ever seen and I own the other copy. I did a previous blog post about that copy but after cleaning up the cover (the dirt wiped right off as the cover of this album is made of mylar which is a shiny material and wipes easily without any damage to the cover) of this copy it’s actually in better shape than my other copy which had been taped over with cellophane as the side cover had split.

(Note 3: why oh why is it that the two covers that I have found of this RE version are worn while I have seen several VG+ copies of the regular first issue Colgems pressing. Go figure.)

Since this one had a fairly dirty cover and record it was marked $5.99 so at half off this was a complete steal especially since it cleaned up so well.

Anyway this copy sounded fantastic after a good cleaning and had matrixes that ended with 6S on side one and 10S on side two – much higher than I thought they would be as this album wasn’t a big seller for The Monkees like the five albums that precede it.

Well there you have it. I end the year on a collecting high note.

As usual you can see the photos above and see how nice this copy of “Head” ended up as well as the others.

Until next time be well and if I don’t post before the new year have a great Christmas and a happy and prosperous 2025.

See you soon!

Be Here Now – “Living in the Material World” by George Harrison Gets New Life with Remixed 50th Anniversary Editions

Well here we are, yet another 50th anniversary of a beloved record from my past.

(Note: It’s technically the 51st anniversary but I won’t quibble)

Yesterday, several brand new 50th Anniversary editions of George Harrison’s 1973 “Living in the Material World” album were issued on both vinyl and CD formats and of course I have a couple of them to share with you: the 2 CD set which features a nice poster, booklet as well as a second disc of outtakes and the orange vinyl version of the single album that is a Barnes & Noble exclusive.

(Note 2: There’s also a deluxe set that includes CDs, vinyl, Blu-Ray and a hardback book as well another vinyl version available separately that includes a double vinyl version of the album with the outtakes on a second vinyl disc.)

My history of this album dates back to 1977 when I purchased the album on vinyl at a local record store called Karma Records. I remember it well as the guy at the register looked at the album as I brought it up to pay for it and said that this album wasn’t as good as Harrison’s first album and then he proceeded to take me to a copy of the “All Thing Must Pass” 3 Lp set.

Of course the eleven year-old me only had enough money to pay for the single album of “Living in the Material World” and besides I was so attracted to the front cover which I thought looked like some sort of pirate hand outstretched from the great beyond that my mind was set on (sorry for the pun) getting this particular record.

My oldest brother who was buying “The Stranger” album by Billy Joel came up behind me and said to the clerk that I wanted the album that I brought to the counter so off I went with my first copy of “Living in the Material World”.

I have always enjoyed this record and even way back in 1977 I thought the musical textures of the songs on the album were very rich and I was then, and still am, a huge fan of the album especially the songs “Give Me Love (Give Me Peace on Earth)”, “Don’t Let Me Wait Too Long”, “Try Some, Buy Some”, the title track “Living in the Material World” and most especially “Be Here Now” which is my favorite song on the album.

Since that time of course I have purchased multiple copies of this album, mainly various CD issues, and each time I have enjoyed it more and more and as time goes by it stands up as one of my all-time favorite solo albums by George Harrison.

I will say the thing about many of the most recent CD and vinyl reissues of the album, and the original vinyl album as well, is that the sound of the album is a bit murky in spots.

That may be a hallmark of Harrison working with Phil Spector but nevertheless while I enjoy the songs on the album I have always wanted a bit more clarity in the mix to help make the album sound a little less congested.

With this new 2024 remix I think Dhani Harrison, George Harrison’s son, along with Paul Hicks who are responsible for this new remix have done an admirable job of making the album sound less congested and they’ve also boosted Harrison’s vocals up more in the mix this time out.

I’ve read online that some people don’t like Harrison’s vocals this much up front as they think it exposes his weaknesses as a singer but for me I think it works fairly well. While not being known as quite the vocalist that Lennon or McCartney were George Harrison still has a way with his vocals in that the emotion always filters its way to the top even if he isn’t quite as smooth at times as he fellow Beatles in his delivery.

My only real criticism of this new 2024 remix is that it’s mixed a tad bit too loud for my tastes but it’s not horrible. In fact I think the vinyl version as usual sounds a bit more dynamic than the CD but at lower volumes the CD sounds good as well. If you play the CD loud though the bass tends to overwhelm the mix making it somewhat congested sounding as the original mix which is a shame.

The outtakes on the second disc of the 2 CD set however have really nice dynamics and aren’t as punched up sounding as the regular album. I would have preferred that the main album remix was mastered this way but overall I think it’s a nice mix and one I will return to when I’m in the mood for this album.

I also have to say my pressing of the orange vinyl was perfect, no distortion, no ticks and played perfectly all the way through and didn’t really need a major cleaning.

The loudness of most current remixes these days of older albums makes the vinyl versions well worth seeking out if they’re available as most of the time they sound more dynamic allowing you to enjoy the remix more than the CD counterpart.

(Note 3: Why oh why don’t they save the loudness for streaming and let the CD and vinyl issues have the best dynamics. I’m sure it’s mostly an older crowd buying these formats so why not make them sound as good as possible – rant over.)

And I must say I really enjoyed the alternate takes of the songs on this album from the 2 CD set as they are more stripped down then the original 1973 versions which really benefits some songs on the album such as “Sue Me, Sue You Blues”, “The Lord Loves the One (That Loves the Lord)” and “Try Some Buy Some” for instance.

The only other nitpicky thing which I think is kind of crazy is that on the deluxe set with the vinyl, CDs and Blu-ray there’s a bonus track on CD 2 as well as a 7-in single – “Sunshine Life for Me (Sail Away Raymond)” . That bonus track could easily have fit on CD 2 of the regular issue. You can stream it and download it but I think that’s really short-sighted not to include that track on all versions. Just my opinion.

As for the groovy orange vinyl Barnes & Noble version that I bought if you’re interested in it it seems like they didn’t press a lot of them. In fact at the Barnes & Noble store I bought it from they only had one copy sent to them and it wasn’t even unpacked when I went to the store to inquire about it.

If you’re a diehard fan of The Beatles or George Harrison this new remix is well worth it in my opinion. Of course to me these remixes aren’t better then the originals just a different way of listening to a particular album. If you don’t want a physical copy check it out online and give it a sample.

I can see the resistance to remixing older recordings but with the lovely outtakes and the nice liner notes it really does give a new way of appreciating older recordings like “Living in the Material World” album and if you can afford it and are a fan of physical media then you should seek a copy out.

As usual you can take a gander at the two different versions of the new “Living in the Material World” that I bought above and below.

Well that’s all for now.

Until next time be healthy and well and see you soon!

Beatles Capitol Album Finds: Record Clubs, In Shrink, Cut-Outs and a C1-90444

Sometimes persistence pays off.

For the last three months I’ve been going to two of my favorite antique malls and scoping out their records.

As luck would have it both places have been dribbling out fantastic copies of some Beatles Capitol albums that have had the vinyl itself in spectacular quality (all of these pressings play and look like new) and amazingly three of the covers where still in the shrink wrap.

Now in the midst of me finding these lovely Capitol pressings the announcement came out that the 1964 Beatles Capitol albums are being reissued on vinyl this upcoming November in updated and supposedly improved sound.

Anyone that knows the Capitol albums may know that sound quality isn’t at the top of the list for these albums as they are very different sounding than their UK counterparts. They sometimes have added reverb and fake stereo that make them a very different and to many lesser sound quality then the British albums.

The upcoming Capitol albums releases are only being issued in mono, thus avoiding the fake stereo problem, but they do include a lot of fold down mixes (stereo mixes folded down to mono thus not true mono mixes) which in itself is a bit of an issue.

However, these albums overall have an exciting energy and are a time capsule of the 1964 American Beatles experience and are valuable additions to any Beatles collection and well worth owning.

And of course I would happen to find these particular 1964 Beatles Capitol albums just before they announced the reissues but since they all sound superbly quiet and are the best examples I’ve ever found of original Capitol albums I’m a happy camper.

The fact that I spent a whopping $65 for all six of these discs doesn’t hurt either!

(Note: these were incredible deals as the six new mono reissues that are coming out in November cost roughly $30 a piece)

Today I thought I’d share these finds as there are fantastic quality Beatles albums still out there but you have to look far and wide and especially search out of the way places as they sometimes price discs very reasonably.

The six discs I got are:

Meet the Beatles! – Stereo Capitol Record Club, Rainbow Logines pressing

The Beatles’ Second Album – Stereo Capitol Record Club, Rainbow Logines pressing

Revolver – Stereo pressing Capitol Record Club, Lime Green Logines pressing (in shrink)

Meet the Beatles! – Original Capitol Mono pressing (bought in 1968 as a cut-out, see mark in right top corner and still in shrink)

The Beatles’ Second Album – Original Capitol Mono pressing (bought in 1968 as a cut-out, see mark in right top corner and still in shrink)

The Beatles’ Second Album 1988 C1-90444 stereo pressing, the last analogue pressing of this album and the best sounding vinyl version of this album currently available

I found the two mono copies in the shrink a couple of months ago at an antique mall close to where I live. This particular mall usually has good prices and these two were no exception. Priced at $9.99 a piece they were a steal and are the best looking and sounding issues of these albums I’ve ever found.

It’s also interesting that they both have a drill hole in the upper right hand corner. I’m guessing these were purchased in late 1967/early 1968 when mono albums were being phased out. I’ve heard that a lot of mono issues made it to the discount/cut-out bins as stereo was now king and they needed to off load the mono stock so this may be the case with these.

Of course the seller was no where to be found so I have no idea but that would be my guess.

The three stereo Record Club discs I found were all from the same antique mall about an hour and a half from me. Over the last three months I’ve gone up there and each trip I’ve brought back a lovely record club issue and all were around $10 as well.

(Note 2: the Capitol record club issues of The Beatles albums sold in much less quantities then the regular store copies and are way rarer and hard to find. The Capitol rainbow pressings are the rarest as they were only made for about a year or so before being replaced with the lime green label versions)

Again, the seller was no where to be found as it’s just a booth in an antique mall but I find it interesting that he was selling these record club issues way cheaper then regular Capitol pressings he had for sale and those were in markedly worse condition then these record club issues.

Did he think the record club issues weren’t as good? I have never seen any record club issues in the last few years in person, online they sell for way more then $10 I’ll tell you that, so I was surprised to continually find these for sale at this mall.

I may go back in a month or so and see if anymore pop up but these three discs all sound superb. The covers on two of them are a bit worn but all these discs look and sound as good as you can possibly expect and were all some of the best finds I’ve ever had for Beatles albums.

The last find also came from this week as a different antique mall across the street from the mall I found the record club issues had a lovely 1988 stereo pressing of The Beatles’ Second Album again in stellar condition.

This particular pressing is the last time this 1964 Capitol stereo pressing was made and it is by far the best sounding issue of this album as it sounds as good as it’s going to get with a truly wonderful pressing that’s completely silent.

The Beatles Capitol albums that came out with the C1 catalog numbers form 1988 are the way to go sound wise for these discs if you can find them. And for the cost of $15 to me this disc was a bargain as these issues can sometimes be salty if you can find them.

So as usual I am contemplating buying some of the new Capitol 1964 mono copies in November but may only buy a couple of them to see how they sound as I pretty much have excellent copies of both the mono and stereo Capitol Beatles albums now.

(Note 3: famous last words, I’ll probably cave and if I do I will post my thoughts here).

Well that’s all for now.

I thought I’d post my Capitol Beatles finds in anticipation of the newer reissues that come out in November.

I have to say I am lucky that I have a few antique malls and a couple of hole in the wall record stores within driving distance that always under price their records.

At least in 2024 I’ve had good luck and my suggestion is if you have the time find some out of the way antique malls as usually I have better luck with obscure records as most dealers are unaware of rarities like the record club issues and tend to price them reasonably.

As usual there are plenty of photos above and below of these gems so feel free to take a look.

Until next time be well and see you soon!

“Cuartel General” and “Piscis, Acuario, Capricornio Y Jones, S.A.”- Surprising Monkees Import Finds To Usher in Fall

This week has been interesting. I’ve been on vacation so I’ve had some time to explore some of my favorite record/antique store locations and I must say I’ve found some true gems.

As I’ve said many times before you just never know what you’re going to find especially at some of the most unlikely hole in the wall places and this week that has never been more true.

Much to my surprise the first finds of the week popped up in a small town in the Midwest about an hour from where I live, someplace I would have never guessed I’d find two obscure imported mono Monkees records from 1967!

As luck would have it I found a mono copy of The Monkees “Headquarters” from Argentina (“Cuartel General”) and a mono copy of “Pisces, Aquarius, Capricorn and Jones, Ltd.” (“Piscis, Acuario, Capricornio Y Jones, S.A.”) from Mexico.

Trust me when I say that original imported copies of Monkees albums are a rare find in the Midwest, at least in my experience. I have on occasion come across a beat up UK copy of “More of the Monkees” but I have never, until now that is,  come across some really interesting albums especially with different cover art.

As it would happen I was rummaging through a huge stack of albums in the “M” section of a off the beat store that had stacks of records everywhere and having no luck at all. Now this store is one of those cool off the beat hole in the wall places where nothing is really alphabetized (one of my pet peeves) and to find anything takes a lot of persistence.

After about twenty minutes of scrounging through beat up copies of “The Monkees”, seriously there was about ten copies and all of them looked like they were used as coasters, I was about to give up and move on.

As luck would have it I spotted an huge bin toward the front of new arrivals with another huge stash of randomly shelved vinyl. I almost decided to walk away as most of the vinyl albums in the store so far were very common and not in the best of shape but since I was on vacation I thought why not take a look.

Midway through the first bin I spotted a decent stereo copy of “More of the Monkees” so I thought oh that’s at least in nice condition so I decided it was worth plowing through the other three bins of new arrivals.

Much to my surprise and shock I was frantically flipping through the last bin when my eye caught the deep red color of the word “Monkees” and I instantly recognized it as the “Headquarters” cover even though I had only seen the upper left corner of the front cover.

(Note: I’ve grown used to flipping fast through stacks of vinyl and can spot a Monkees album from ten paces lol)

Need less to say my head almost exploded when I pulled it up and not only was the cover glossy and made of very firm cardboard (not the feel of the standard US Colgems album) when up popped the title “Cuartel General” and I was speechless.

Not only was this a mono copy from Argentina but it was marked $3.99 and was in really good condition. The vinyl in fact was a very solid VG++ and the cover was solid as well.

After perusing the cover for a few moments I hurriedly decided to finish the row and take my prize to the counter.

It’s a good thing I decided to look at all of the bin as near the very back I spotted a weirdly cartoonish yet colorful album cover that had a drawing of the Monkees on it.

I pulled the cover up and knew that this was the Mexican cover of the Monkees fourth album and turned it around to find the title “Piscis, Acuario, Capricornio Y Jones, S.A.”

The album cover was taped on the bottom and top with some old masking tape that was falling off (and luckily peeled off just fine) but the vinyl inside was again in VG++ condition and the price was definitely right at $4.99. Why this one was a dollar more and seemed more beat up than the other one is beyond me but I wasn’t going to argue.

Again I was truly amazed. Never in my life have I found such lovely imported Monkees albums and never with such lovely condition vinyl.

That was all I needed, I ran to the counter and paid for the albums and bopped home with a huge smile on my face.

I cleaned up both albums and played them that evening. Both of them sounded terrific and both contained the true mono mixes. I found the Mexican “Pisces” album was a bit bass shy but played very quietly and was well pressed.

The true highlight was the pressing of “Headquarters” from Argentina which sounded amazing! Nice bass and crisp treble and nice vocals – one of the best and quieter copies I own of this album, truly superb sounding.

I have no idea how these gems made their way into my corner of the world but I tell you what I’m keeping that store on my list for sure.

That’s all for now. Just a quick story of the first of some truly amazing finds this week.

I have to say that while I read people finding a lot of high priced used vinyl I have found some really rare records lately for amazing prices. I tend to go to more out of the way antique places then record stores so maybe that’s why but great nonetheless.

As usual you can glimpse photos of these albums above.

There are more finds from this week to follow.

Until next time be healthy and well and see you soon!