Imagine All the People … Watching TV? – “John & Yoko: Above Us Only Sky” Blu-Ray (A Review)

I must say this has been an interesting (and expensive!) year for Beatles and solo Beatles fans and collectors alike.

Not only did we get great archive releases from Paul McCartney last Fall (“Wild Life” deluxe box set, “Red Rose Speedway” deluxe box set) there was also a sweet multi-disc set from The Beatles (50th anniversary of the “White Album”) released last November and coming next week is a 50th anniversary multi-disc set of The Beatles swan song album “Abbey Road” which is sure to be a high point in this year of major Beatles booty.

Not to be outdone, the Lennon camp has also jumped into the fray and issued a superb box set themselves also last October entitled “Imagine -The Ultimate Collection”.

This truly wonderful collection features 4 CDs plus 2 Blu-Ray discs containing new stereo and 5.1 remixes of the entire album as well as out-takes and alternates from Lennon’s “Imagine” album sessions. It’s basically an in-depth audio study of  how the “Imagine”  album was made and contains a treasure trove of unreleased and interesting audio glimpses into Lennon’s recording process.

Released at the same time last Fall was a DVD/Blu-Ray disc containing two documentaries about those same sessions called “Imagine/Gimme Some Truth”.

This DVD or Blu-Ray featured the film “Imagine” that Lennon and Ono made in 1971 featuring lots of footage of the “Imagine” recording sessions set to music (basically a video album) as well as a later made documentary called “Gimme Some Truth” that featured a more in-depth look at the album with interviews and lots of footage of the “Imagine” sessions.

Fast forward to this past September 13 and the release of a new documentary entitled “John & Yoko: Above Us Only Sky” which is available on both DVD and Blu-Ray.

This enticing documentary also about about the recording of the “Imagine” album was originally broadcast on television in November 2018 and has now finally made its way to home video. I didn’t have a chance to see the film last fall so I was curious to see how it stacked up to the other two films about “Imagine” which I do own and love.

First off, this new documentary has new unseen footage throughout from the “Imagine” sessions which alone makes it a must see for Lennon fans. Of course seeing Lennon and fellow ex- Beatle George Harrison work closely in the studio never gets old – at least for me anyway.

After watching the film what sold me on “John & Yoko: Above Us Only Sky” the most were the fascinating new interviews it contains which made the first half of this film a really fun presentation.

Lennon’s oldest son Julian Lennon in particular comes across as really grounded and insightful but the interviews with people I’d never heard speak about these sessions before including photographer David Bailey and personal assistant Dan Richter were also really interesting and gave a much richer insight into Lennon and Ono at the time these sessions occurred.

I may be experiencing a bit of “Imagine” burn-out from having lived with these sessions a lot in the past year as I really enjoyed the first half of the film enormously but towards the end I ended up wishing for more studio footage and less talking heads.

I think the film makes a good point about Ono’s involvement in the writing and recording of the album but at times in the second half of the film it seemed a little bit heavy handed in Ono’s direction but enjoyable nonetheless.

Luckily the bonus features on this disc which include “How Do You Sleep? (Takes 5 &6 Raw Studio Mix)”, “Oh My Love (Raw Studio Mix)” and “Oh, Yoko! (Bahamas, 1969)” bring more music back into the mix again which brings this disc back up a notch. These raw studio mixes contained here (along with the session footage) are terrific and sound and look amazing.

While “John & Yoko: Above Us Only Sky” may not be a must see it’s certainly entertaining and well worth seeking out if you want some insight into Lennon’s frame of mind as he works in the recording studio post-Beatles.

All in all it’s a quite good film and if your a Lennon fan you may want to buy it but if you already own the “Imagine/Gimme Some Truth” docs from last year this may be something you’d want to track down somewhere online vs buying it to own.

As usual above I’ve posted some photos of the blu-ray disc I got last week so folks can see what they’d get if they decide to purchase the disc.

I’m so glad The Beatles as a group and solo are now finally opening up their vaults but I can feel the groan from my wallet ever time I see a new release in the pipeline.

Fortunately they’ve all been worth it up until now. Next up “Abbey Road”!!!

Well, that’s all for now (folks).

Until next time … get yourself some truth and be well.

 

 

 

 

 

 

 

 

 

 

“O Holy Night”? or Oh Holy Smokes! – The Monkees “Christmas Party” comes to vinyl

 

 

 

 

There’s something weird yet exhilarating about listening to a Christmas album on a warm late summer September night.

Weird because seriously it’s friggin’ September for crying out loud but exhilarating because this is not just any Christmas album, it’s a Monkees Christmas album. A very good Monkees Christmas album at that and that’s a quite good thing anytime of year!

Released almost exactly a year ago, give or take a few weeks, “Christmas Party” by The Monkees is probably the last (though hope against hope not) new album of Monkees music that will grace music lovers CD players or turntables and is certainly the last Monkees project to feature Peter Tork who passed away this past February.

Produced by retro pop maestro Adam Schlesinger, “Christmas Party” positively reeks of pure pop-rock bliss with a major ’60s swagger and retro Christmas bent that’s way better than it has a right to be.

As I said last year when I reviewed it on this very blog, this new Monkees album is quite good and features well sung new and old Christmas fare that a year later sounds even better than it did on its first few listens.

Like fine wine it just keeps getting better so what more enjoyable way to experience this album than to give it a spin on some nice new purdy vinyl – colored vinyl to boot.

Honestly when heard that a new Monkees Christmas album was on the way I was excited yet quite hesitant. I like Christmas music but it certainly wasn’t what I wanted the group to release after their superb “Good Times!” Lp from 2016.

Almost a year later I can safely say I’m not only glad but grateful The Monkees decided to release this album. It’s so well done and lovingly retro that it sounds good any time of year. Plus the death of Peter Tork lends a real poignancy to this album as it was his last recorded contribution to The Monkees and what a beautiful way to end his tenor in the group by performing “Angels We Have Heard on High” – chilling.

All four Monkees sound great on this Lp but Micky Dolenz in particular sounds as if he lives in a permanent time warp. His voice is as strong and as interesting as it was in 1967 which is a feat rarely duplicated by current pop singers let alone his musical peers.

Mike Nesmith’s two songs here are wistful and moving and are among the best of his group contributions while Davy’s songs from a 1990’s solo Christmas album fit perfectly and are a welcome touch to a terrific collection.

The reason I’m revisiting this Christmas gem is that “Christmas Party” was just released on vinyl this past week on September 13th and I just received a groovy limited edition red and white candy cane type pressing available exclusively from Monkees.com.

After giving this new pressing a spin tonight I’m happy to report that it sounds SUPERB on vinyl! This pressing is perfectly quite and has better sonics than it’s CD counterpart.

The music and vocals all shimmer on this lovely piece of colorful vinyl and the dynamics are just right, nothing too loud  or jarring and less digital sounding than the CD. Not that the CD is bad by any means it’s just that this new vinyl pressing is done so well that it makes this album shine even more with a more pleasing aural presentation.

The cover is also totally groovy as well and there’s just something magical about holding a new slab of Monkees vinyl that just feels right as that’s the medium that I was introduced to the group with and looking at the large cover while the records spins on is just well … right.

There is a beautiful gatefold cover on this new vinyl pressing (which since I haven’t taken the shrink wrap off  I can’t show you lol) and a nice photo insert with credits from the album inside the cover with the disc.

As usual I’ve included some photos of this new pressing as well as some photos of the limited Target exclusive CD version of the album that came out after my review of the album last year.

The Target CD contains two great bonus tracks (“Riu Chiu” and “Christmas is My Time of Year”) one of which (“Riu Chiu”) is included on this new vinyl pressing.

“Riu Chiu” of course comes form the Monkees’ 1967 Christmas episode and features all four members singing acapella on one of the most beautiful songs in the Monkees’ recorded canon while “Christmas is My Time of Year” comes from a mid-1970’s reunion of Dolenz, Jones and Tork with famed Monkees producer Chip Douglas.

Both songs belong on this Lp so if you can track down the Target version of this album that’s the way to go on CD at least as both songs are great and of course fit the theme of the album beautifully.

Really if you’re any kind of Monkees fan or fan of ’60s pop/rock music or Christmas music you need to check this album out. Of course you can wait until it’s actually the holiday season but for any curious Monkees geeks out there run don’t walk to get this new vinyl pressing. You won’t be disappointed!

Until next time be well and Merry Christmas even if it’s a tad bit early.

Weekend Antique Shop Finds (Part 2) – Beatles/Monkees

 

Ahhh, long time no see.

Yep, it’s me again.

I usually don’t post things back to back but since I had such a great weekend at antique shops I thought I’d share two more things I found.

Previously I posted about two really groovy Partridge Family/David Cassidy records I found and now I thought I d share two really cool Beatles/Monkees finds.

As I said in my last post I really had no expectations of finding anything music related this past weekend when I went shopping at two small antique stores but as the saying goes you just never know what you’ll find.

Isn’t it the way it goes, if you’re not expecting to find anything you happen upon some really cool discoveries.

In this Part 2 I thought I’d share a really lovely piece of sheet music from The Beatles (“Help!” from 1965) and a sealed record club copy of The Monkees 1986 comeback album “Then & Now: The Best of The Monkees” on Arista Records.

I must say that the first thing I stumbled upon was the “Help!” sheet music and while I thought it was great I really don’t collect much sheet music. What sold me was not only the great cover shot from the film but the back cover with all the picture of other Beatles music books.

I strolled around about five minutes but my mind keep wandering back to this piece of sheet music.

There’s nothing that says time machine to me more than old sheet music and since this looked so nice and wasn’t very expensive I caved and bought it.

Really though it’s one of the best looking pieces of Beatles sheet music I’ve ever come across and just looks so great no matter if it’s rare or not.

My other wonderful find – the sealed “Then & Now: The Best of The Monkees” lp – was also too good to pass up as this particular album brings back so many memories for me of The Monkees 1986 tour and how it was so amazing that the group not only came back from the dead but literally exploded in popularity again much like 1967 revisited.

I had this album on vinyl once upon a time but as the years went by I gave it to a friend and never got it back. I was content with the much longer 25 song CD version and since my interest in vinyl really dropped around that time I let it go.

I’ve been meaning to track this album down again on vinyl and a sealed copy for under $10 seemed too good to pass up.

It’s a Columbia Records Record Club version, notice the CRC in the photo above, so I’m curious if it has any mix variations like the 1986 “Daydream Believer” remix but alas since it’s sealed I may never know.

Someday I may break it open and give it a spin but for now it just looks so purdy and new I think I’ll keep it in its sealed time capsule state.

Well again that’s all for now, I promise. I was just so thrilled by the holiday weekend and terrific finds that I felt like sharing some photos.

As usual take a look at the photos above and until next time happy hunting yourself and take care!

 

 

 

 

Weekend Antique Shop Finds (Part 1) – Partridge Family/David Cassidy

 

Okay, sometimes you just have lady luck on your side.

This past Labor Day weekend I spent a lovely rainy day on Sunday out and about eating an Italian lunch and by chance stopping into a couple of small antique stores in a small town not too far from where I live.

As always I’m on the lookout for records and/or old music memorabilia but realistically I usually expect to find nothing. And if I do it’s most likely a beat up copy of “Meet the Beatles” with the back cover either missing or haphazardly taped together with a record so worn you can’t see the grooves anymore with a price tag of $75.

Well, much to my surprise I found two fairly rare records that I personally have never seen or run into before – and here’s the kicker BOTH for the combined princely sum of $10. Yes, that’s $5 each!

As luck would have it I found a VG++ promotional copy of The Partridge Family album “Up to Date” (which happens to be my favorite Partridge platter) and a Japanese 45 of a David Cassidy single from 1976 called “Tomorrow b/w “Bedtime” from his excellent but obscure album called “Home is Where the Heart Is” on RCA Records.

Now to say I was shocked and happily surprised to find these records is an understatement. Not only was I not expecting to find any records of any kind (these stores didn’t seem like record type antique stores) but to find two rare and obscure records both in great shape and cheap – well needless to say since my luck seemed so good I bought a couple of lottery tickets as well.

The funny thing is, to me anyway,  I had just recently read on online about how good promotional Partridge Family Lp’s sound as compared to their commercial counterparts and I was curious to track one down and see for myself.

I never find them listed online very much and didn’t want to spend a lot of money anyway so these finds were too good to be true.

Now I’ll admit while these records are indeed fairly uncommon I’m sure not that many people yearn to buy them but since I’m somewhat of a music freak so to speak this was right up my alley.

Tonight I decided to clean this new promo Lp and play it along side a near mint commercial copy (this promo copy is marked NOT FOR SALE and was made for radio airplay) and see if I could hear any difference for myself.

Well, let me tell you that again I was pleasantly surprised. Not only is the promo copy a much better and quieter copy than the commercial pressing but the sound was so much better and fuller and open that I just was flabbergasted.

Every cymbal, organ and bass part just leap out of the speaker on the promo copy while seeming muted, flatter and less vibrant on the commercial copy.

Plus the commercial copy while practically brand new played with a ton of pops and clicks and sounds as if it was pressed off center, the more it played near the center the more it sounded like it was having pitch issues.

I just have never heard this album sound better than this promo Lp. It even knocks the best CD version I own (from Razor & Tie Records) which until now was my go to version of this album when I want to listen to it.

For all you fellow obsessives out there I also noticed that this promo record was pressed by Best Way I believe (notice the BW on the catalog number on the label) which I’ve also read are much better pressings of The Partridge Family records as they supposedly sound better. Yep, check that one off, they sure do – in spades!

The David Cassidy 45 also sounds superb and while I don’t really collect that many 45’s the fact that I’ve never seen this Japanese disc before and that it came in a groovy picture sleeve and happens to be a terrific cover of one of my all-time favorite Paul McCartney songs (and a rather obscure McCartney song at that) from Wings’ first album “Wild Life” – well I just couldn’t resist picking it up as well.

I must say that Cassidy really sings both songs on this 45 so well. When I was younger I was disappointed in Cassidy’s more soulful and less silky singing post Partridge as compared to the Partridge Family recordings. As I’ve grown older though I find his solo discs are really quite good and his singing, though different, is just amazing. He was truly a gifted singer no matter what the genre.

Anyway, that’s all for now. As usual take a peek above at my two new discoveries and who knows maybe lady luck will shine on me once more with my upcoming lottery ticket drawings!!!

Until next time be well and Happy September!

 

 

 

 

 

 

Making His Own Sweet Sunshine – “Davy Jones – Live in Japan” (2 CD/DVD) – A Review

 

In these waning days of physical media, it’s nice to see a small reissue label continue to step up their game and release lost and/or semi-obscure recordings that are not only a joy to listen to but fantastic to look at as well.

7a Records, under the guidance of owners Ian Lee and Glenn Gretlund, has created a nice niche line of products (both CD and vinyl) that revolve around releases that feature rare recordings by members of The Monkees or performers such as Bobby Hart who were associated with the group.

The company has already issued a nice trove of solo Monkees recordings that include a couple of gems by Micky Dolenz (“Micky Dolenz – The MGM Singles Collection” and “Out Of Nowhere” with the Metropole Orchestra) as well as two superb releases by Micheal Nesmith (“At the BBC Paris” and “Michael Nesmith & the First National band Redux – Live at the Troubadour”).

Along with a release of a Bobby Hart solo album from 1980 and some really cool Micky Dolenz 45’s, 7a can lay claim to being a small but very classy reissue label that takes obvious care in the truly marvelous packages they create.

Which brings me to the main event of this blog post – “Davy Jones – Live in Japan”.

Released at the end of July in the UK and Aug. 9th here in the U.S.,  “Davy Jones – Live in Japan” (2 CD/DVD) features live recordings Jones did in Japan (naturally) in 1981 as well as a slew of truly obscure songs he recorded in the studio and released in low key in the late ’70’s and early ’80’s.

I’ve known of these recordings for years but for some reason or another I never tracked them down but with the release of this set they’re all in one neat package. And I must say 7a has really brought their A game for sure with this collection.

So what can you expect if you buy this set? Well, let me show you.

CD1:

This CD, “Live in Japan” from 1981, features the first of two Davy Jones live releases that were exclusive to Japan in the early 1980’s after a resurgence of Monkeemania hit the country when “Daydream Believer” became a hit again for The Monkees after being featured in a popular television commercial.

The concert is featured in two mixes, one with the audience prominent in the mix and one that features the audience practically mixed out.

I must say the sound of this live recording is amazing. Everything is sharp and crisp with lovely bass and sounding very well recorded. Not only was Jones in good voice at this concert but he sounds fresh as he hadn’t really overexposed many of these songs in a live setting as he would later on the many reunion tours with The Monkees.

For example songs like “Cuddly Toy” and  “A Little Bit Me, A Little Bit You”  and especially “Valleri” all sound very near the original Monkees recordings but with that extra pinch of energy that revitalizes them.

“Star Collector” doesn’t fair as quite well but is very nice anyway as it was not played very much or even at all as I remember on the various Monkees reunion tours which shortly followed which makes it a nice rarity to hear live.

The bonus tracks with alternate mixes of the same live songs with the audience mixed quite low is an  interesting way to hear the same set. These mixes are nice and clear and work quite well on the newer non-Monkees tracks but I prefer the energy of the audience mix as at times the songs come across as studio re-records which are a bit flatter but some of these mixes are quite nice.

It’s really great to have them as an option though.

CD 2:

This disc features the “Hello Davy” concert which was released in 1982 in Japan on vinyl and later on laserdisc as well.

I love the opening audio of this disc which features Jones dialogue from the Monkees 1967 tour episode from their television show – an unexpected and nice treat.

The live set on this disc sounds quite nice too but a bit louder than the first disc and not quite as clean sounding. It’s still a very lively performance from Jones with the superb  “Rainy Jane”  performance worth the price of the set all by itself. I love this song and this version is a keeper.

On the whole the live set on disc 2 suffers from a bit too much synth in the mix but Jones is in quite good voice and it’s really a fun performance with lots of charm and passion. A slight step down from the live set on disc one but still quite good.

The highlight of Disc 2, and the entire set for that matter, is definitely the studio material on tracks 15-23. “It’s Now” and “How Do You Know” are both quite good, very synth driven nice pop tunes that work quite well. Not the best work Jones ever did but very enjoyable. The latter song has a touch of ’70’s disco which is fun, a little cheesy but a nice tune.

The fun thing is that both of these tracks were recorded in Pete Townsend’s studio, legendary leader and songwriter of The Who, with him present. Too bad Jones didn’t record some of Townsend’s songs or maybe do an album project with him but these two songs are a welcome addition to Jones’ discography nonetheless.

I knew of these tunes from being imports back in the day but hearing them for the first time is quite a thrill in light of the fact that Jones isn’t here anymore to release new music so this will do nicely thank you.

The last three tunes are my favorite and feature “(Hey Ra Ra Ra) Happy Birthday Mickey Mouse” and “You Don’t Have to Be a Country Boy (To Sing a Country Song)” both from a 1978 UK 45 released originally on Warner Brothers Records. It’s a nice bit of nostalgia for me as I own that UK 45 and it’s really great to hear these songs sounding spiffy and clean with no pops.

My absolute favorite song in this whole collection is the Chip Douglas produced “Rainbows” from 1983 which to me sounds like a long lost Monkees track. Every time Jones worked with Douglas there was a magic captured that other producers didn’t get from him. Super song which I previously owned on a bootleg cassette which I’ve loved for years so it’s nice to hear it cleaner here.

DVD:
The DVD of the same “Hello Davy” 1982 concert featured on CD2 actually looks quite good. I prefer to hear this set while seeing the visuals as Jones is a pleasure to watch as he’s in his element performing before a live crowd of adoring fans.

The picture isn’t perfect but it’s very good. While by no means a HiDef visual experience it’s certainly an enjoyable presentation and it’s really fun to see Jones work an enthusiastic crowd a few years before he rejoined The Monkees in 1986.

Conclusion:

Really who would have thought this material would ever see the light of day on CD and DVD in 2019?

I’m really pleased that 7a has put together a such superb package that along with the discs includes a terrific booklet filled with nice liner notes that detail all its contents  along with a lovely tri-fold mini-Lp style cover with a great Monkees era photo of Jones.

Quality sound, packaging and presentation – what more could you ask for in a reissue?

I think that Davy Jones love of his audience and love of performing permeate this entire set and that’s a feeling that shines through and grabs the listener/viewer and that’s a special kind of magic that relatively few performers are able to sustain over a long career as Jones did.

This set along with all of 7a’s previous releases was obviously put together with great love and affection and it shows. Jones love and affection as well as 7a’s definitely make this a must buy for any Jones or Monkees fan out there.

As usual see some photos of the set (above) along with a photo of the menu screen from the DVD.

That’s all for now.

Until next time be well and go out and spread some sunshine of your own!

 

 

 

Anatomy of a Plastic (Partridge Family ) Bus – Careful Nervous Mother Driving

Sometimes being a bit of a pack rat pays off.

You see about 45 years ago I was given a toy for my eighth birthday. This wasn’t just any toy mind you. It was a bus. A plastic bus.

So what’s the big deal about a plastic bus you say?

I’m glad you asked. Let me take you back a bit.

This would have been January 1974. At the time I was a huge fan of the television show “The Partridge Family”.

Like millions of other teen and pre-teen kids I religiously watched the show every Friday night, along with “The Brady Bunch” and “Nanny and the Professor” (there’s a real blast from the past – you never hear about that show anymore), and bought all their records.

My first blast of Partridge came in 1970 when my older brother Tom and I were shopping with my mother at L.S. Ayres.

I believe we were in their little record section (they had one in those days, a very nice one too). Tom spotted the single for “I Think I Love You” and asked my mom if she would buy it and lo and behold he and I both got a copy.

(Note: unlike other 4-year-old’s I had a thing for records even at that tender age and probably badgered my mother until she got me one too lol.)

The single came in a groovy picture sleeve and of course I still have it though it’s a bit tattered these days but I do own a mint copy as well (see a previous blog post).

Anyway, from 1970 to 1974 I managed to get all of The Partridge Family’s albums (and played them to death) along with other Partridge paraphernalia like a lunch box, comic books and the like.

But back to the bus. I distinctly remember getting the plastic Partridge Family Bus on my eighth birthday. Seeing as how the bus is dated 1973 on the box my mother probably got it a few months earlier and held it for my birthday or it was still stores at the time.

I don’t remember asking for it so she must have spotted it in a toy shelf or ordered it from a catalog. I don;t ever remember seeing in a store myself so the catalog seems a more likely bet.

I’m sure most older Partridge fans never even seen the bus as it was obviously geared toward younger kids and it’s fairly rare these days.

And of course being the pack rat that I am I still own the bus and I think it’s still pretty fun to look at as the Partridge bus is a pretty iconic image to a lot of people my age (translation: older folks).

Take a gander above at my plastic Partridge Bus, I thought it might be fun to see all sides of the box as I still have it in nice shape and you rarely see photos of it anywhere.

(Note 2: the reason I have this in such good shape and in the box is that my mother was a depression era child and I remember her saying that she didn’t have many toys growing up so she wanted us to keep our toys in good shape and put them back in box so we appreciated being lucky enough to have them.)

So there you have it, a pretty fun blast from the past toy and for any Partridge fans out there a really fun oddity to enjoy.

Well, that’s all for now.

Until next time be well and of course … Come On, Get Happy!!!

 

 

 

 

Rhino Records “Summer of ’69” Monkees “HEAD” Vinyl Reissue (Silver Pressing)

Ahhh, the summer of 1969. I remember it well.

Okay, that’s a bit of a stretch.

I can honestly say I was alive in the summer of 1969 but as for remembering it well that’s where things get a little fuzzy.

I was three years old in the summer of 1969 and the only true memory I have from that summer is the fleeting vague memory of watching the moon landing late in the evening on an old black and white portable TV set with my family crowded together in a small bedroom.

But, memories not withstanding, this post today does indeed center on the summer of 1969 – well sort of.

You see Rhino Records has just released a series of vinyl reissues that they call the “Summer of ’69 – Peace, Love and Music” that centers on albums which feature music from that heady, long-ago summer.

I’m sure the “Summer of ’69 – Peace, Love and Music” reissues are really meant to tie into Rhino’s various Woodstock 50th Anniversary reissues on both vinyl and CD but they did decide to reissue some cool albums.

The one vinyl album of the dozen or so albums that Rhino Records is touting from the summer of 1969 that I decided to repurchase (again, my wallet groans) is one of my favorite albums by The Monkees, the soundtrack to their completely off-kilter movie “HEAD”.

(Note: this soundtrack was actually released in December 1968 but since I’m guessing most of its sales occurred in 1969 I guess Rhino’s pushing of this album as part of the summer of 1969 is somewhat valid and hey any excuse to reissue a Monkees album is fine by me!)

Now, I need another vinyl copy of the “HEAD” soundtrack like I need a hole in the head but since that’s never stopped me before here’s what I have to report on the newest vinyl reissue that hit indie record stores at the end of July.

First, the highlights this new vinyl reissue:

  • It features the Colgems logo on the back cover (a small thing and odd to non-believers but for a Monkees freak like me it’s such a fun thing to see)
  • The album is pressed on silver colored vinyl which looks just great and I do love me some colored vinyl!
  • The album artwork is reproduced very clearly yet one point off for not using a mylar cover like the original but I get that the cost must have been prohibitive
  • By far the coolest thing about this release is the reproduction of the original Colgems inner sleeve which is now a one sided insert with the word Colgems replaced by the word Rhino – again a small thing but oh so cool! I absolutely love that Rhino has done this, super nice touch!

Okay, now for the sound.

I played the entire record and can say that it sounds great and is an absolutely terrific pressing with hardly any pops or ticks and has a nice full and punchy sound.

This new vinyl reissue mimics the original pressing with the same mixes as the original pressing, as far as I can tell anyway, with the short version of the “Porpoise Song” without the extra minute or so coda of music like the 45 being the most glaring thing that stood out at me as Rhino has often used the longer stereo version on its reissues of this album.

Truth be told it sounds to me like this new pressing might have come from the transfer used for the 2010 “HEAD” CD box set. The sound is really quite good and with such a nice vinyl pressing this album really shines when listened to on a decent turntable as it isn’t overly loud yet nice and full and warm.

A nice addition to any Monkees collection for sure and if you’re a fan of vinyl and don’t have this album then it’s an especially nice way to add some great music to your turntable and/or collection.

Well, there you have it. Not a necessary purchase by any means but any Monkees fan or fanatic out there will, I’m sure, really enjoy this new vinyl reissue despite the fact that Rhino has reissued this particular album a couple of times previously in the past few years.

I’d have to listen to those other recent vinyl reissues to compare but from my memory this one stacks up well as I remember those sounding pretty good. I must say though that the reproduction of the Colgems inner sleeve really makes this new pressing a compulsory buy for any true Monkees fans (okay, I can’t really explain collectoritis but it’s real and if you’re affected by it then this make sense!)

Above I posted a few pictures of this groovy new pressing and as always feast your eyes (or hide them if you’re trying not to buy any more new vinyl) on this lovely new version.

Until  next time be well and … goodbye, goodbye, goodbye.

(Sorry,  I couldn’t resist. If you don’t get the reference then I’m sure this whole post must have seemed pretty tedious)