Flashback: My Newspaper Preview and Review of Elton John Live in Fort Wayne April 2012

Once again, we’re taking a trip on the way back machine.

This time though it’s not decades ago as usual but a mere thirteen years or so, almost to the day in fact.

For today’s blog, I thought I’d take a look back a newspaper preview story and a review I did of a concert Elton John performed here in Fort Wayne, IN on April 21, 2012.

John performed a completely solo show with just him at the piano the whole night sans a backing band. Needless to say, it was a thrilling concert and Elton was on fire and it was by far the best performance I ever saw by the man.

I posted the review below as it ran in (the now defunct) The News-Sentinel newspaper as well as the preview piece I wrote the week before (see photos below). 

I also used some photos I took at the show where I was lucky enough to be escorted to the front of the stage in spot very near where Elton was playing – amazing looking back all these years later.

I thought I’d start a series of some of my old reviews and articles using alternate photos that never made the newspaper article just for fun.

Anyway, enjoy. This concert was truly amazing and well worth remembering.

Hopefully see you soon at my next post but until then be safe and well and healthy and enjoy your summer to come.

Here we go:

Elton John is ‘Fantastic’ at Memorial Coliseum concert
By James Grant of The News-Sentinel
April 21, 2012

Elton John called himself Captain Fantastic on his 1975 autobiographical album “Captain Fantastic and the Brown Dirt Cowboy,” and for good reason.

As he displayed last night to a sold-out crowd at the Memorial Coliseum, John still is quite fantastic and age has not dimmed his ability as a performer nor his desire to put on a first-class, entertaining show.

John emerged in a mist of fog and, from the moment he took the Coliseum stage, the roar of the audience let him know Fort Wayne was glad to see him and that his music still resonated with them.

Dressed rather stately (yet rock star-like) in a long black suit lined with sequins that had a large white Z on his back and cuff sleeves and wearing a pair of pink sunglasses, John opened the show with “The One”, a song from his hit album of the same name from 1992.

Even with a minimal stage setup that consisted of just his black Yamaha piano, a large LED light display above him and two large video screens on each side of the stage, John showed he is a truly magnetic and gifted performer who needs nothing more than his music to enthrall an audience.

Song after song, hit after hit, John rummaged through his illustrious catalog of classics, performing such fan favorites as “Your Song,” “Rocket Man” “Daniel,” “Bennie and the Jets” and “Crocodile Rock.”

Longtime Elton John followers were also rewarded when John performed some of his lesser-known gems, such as a medley of “Carla Etude/Tonight” (from his albums “The Fox” and “Blue Moves” respectively) and “Mona Lisas and Mad Hatters” (from his “Honky Chateau” album) and “The Greatest Discovery” (from his second album entitled simply “Elton John”).

John is one of a handful of performers who has the ability to keep an audience spellbound without the aid of pyrotechnics or a massive stage set.

Without taking a break, John performed alone at his piano with only the occasional addition of synthesizer to accompany him for nearly three hours. Throughout the night John’s voice was strong and, though it did strain occasionally on certain notes, it was still remarkably expressive and full of passion.

Having seen Elton John perform in concert once before with his band in 1992, this show was a much more intimate affair that highlighted John as a singer-songwriter over the madcap Elton John stage persona he’s crafted over the years.

The intimate nature of John’s performance did have one drawback: The audience got up frequently as if John was playing an 11, 000 seat living room, which was a little distracting at times.

Though the audience was skewed toward people in their 40s and 50s, there were also quite a few younger people in attendance from tweens to teens to people in their 20s and 30s.

Diane Dubbelde of Fort Wayne, who wasn’t even born during John’s most popular period from 1970-77, has been looking forward to seeing John perform as she heard his music frequently growing up.

“He’s awesome,” Dubbelde said. “My dad used to listen to him all the time. I like his music, the songs are memorable.”

As for the show, Dubbelde summed up her feelings with six words: “Loved it, loved it, loved it!”

Another person who really enjoyed the show was Fort Wayne native Jennifer Balsarotti, who drove with her husband, Joe, from their home in St. Louis to see the show.

She had seen John perform previously with his full band but wanted the opportunity to see him perform solo.

“It rocked my world,” Balsarotti said of the show. “Unbelievable, it was awesome. Really, out of this world. One of the best shows I’ve ever seen.”

The highlight of the evening for me was when John came out for his final encore and took about five minutes to sign autographs on T-shirts, programs, albums and anything else put in front of him by
fans near the front of the stage.

Just before he launched into his final song, a medley of “Circle of Life/Can You Feel the Love Tonight” that he wrote for “The Lion King” film and soundtrack, John sincerely thanked the crowd for supporting him all these years and said it’s that love and support that keeps him performing.

It was a touching and emotional end to a superb performance by a legendary musician who genuinely loves performing and is able to communicate that love to his audience.

Captain Fantastic? Indeed.

Setlist from Setlist.fm:

  1. Encore:

Tonight at 7:30 on NBC-TV: “Monkees in the Shrink” and “Mismatched Monkees” Brought to You By Kellogg’s

I’m back and not as long a wait as last time!

Today I thought I’d take a look at some fun Monkee finds that I’ve happened to find in the last five months or so throughout my antique travels. It’s been a fruitful time for Monkees scores for me so I hope that the rest of 2025 keeps up the pace.

But before I go full tilt into today’s post I just have to give some background on my lifelong search for Monkees records.

As I’ve said before, back in the dark ages – from 1972 to say oh 1985 – it was a hard task finding used Monkees records at least in my neck of the woods. In that long ago era The Monkees were seen as so uncool and disposable that there just wasn’t much of a demand for their used records I guess.

At least I rarely found them and if I did it was at garage sales and you usually found the first three albums and they almost always looked as if they’d been used as frisbees – barely playable that’s for sure.

Fast forward a few decades or so and I have to say that I am so surprised to find plenty of used Monkees albums and many of them still in the shrink – and often fairly cheap!

Case in point – this blog post.

Of course I’ve also found some really offbeat mismatched records too and those have been fun as well.

So let’s get started.

I named this blog as if they were two lost Monkees episodes from the 1960s – “Monkees in the Shrink” and “Mismatched Monkees” – just for a bit of fun.

“Monkees in the Shrink”:

This first section is in honor of all the groovy Colgems Monkees albums I’ve found lately still with their shrink wrap intact. Some still have price tags (I love it when they still have the price!) and two of them looked as if they had never been played at all and if they were it was very light as there are no spindle marks on their labels at all.

So what did I find? Here’s the list:

“The Monkees” in both mono and stereo both RE pressings, “More of the Monkees” stereo RE pressing with the later Colgems label on the rear panel, “Headquarters” stereo first pressing, “Pisces, Aquarius, Capricorn and Jones, Ltd.” stereo first pressing and a first stereo pressing of The Birds, The Bees & The Monkees”.

The crazy thing is I paid under $10 for all of them except for “More of the Monkees” which was $20, a fair price considering it’s about as near mint as you can get.

The other thing that amazed me was just how good most of these records sound. Two of them – “More of the Monkees” and “Pisces, Aquarius, Capricorn and Jones, Ltd.” – are the two best sounding stereo pressings of these albums I own and I own quite a few.

Both of them are in pristine shape but neither of them had any sibilance issues that plague many Colgems pressings and the copy of “Pisces, Aquarius, Capricorn and Jones, Ltd.” in particular is what I would call a hot pressing as it just jumps out the speakers with a force and clarity that my other issues of this album lack.

If there are any Monkeefiles out there check the matrix numbers on any used copies of this album you find and if you see these (Side 1 – UZRS-9729 6S, Side 2 – UZRS-9730 6S) grab it because it’s one majorly dynamic pressing.

That’s not to say the other pressings don’t sound great, they do (well, okay this copy of The Birds, The Bees & The Monkees is a little worn and has some sibilance issues) it’s just those two I just mentioned sounded so outstanding it really surprised me.

“Mismatched Monkees”

Now here is the section of some odd finds. To top the list I found the cover for the 1969 album “Present” but inside it had both discs for the 1971 Colgems compilation Barrel Full of Monkees.

Luckily both discs were in VG shape and played amazingly well. This pressing is one of the early 70s flexi type thin vinyl issues but I was surprised at just how good they sounded. It was a little dirty but after a good cleaning it played just fine and with much more bass and detail then I was expecting.

And the best part it was in the dollar bin so that made it too hard to resist so I bought it.

In that same store I also found a somewhat dirty copy of the 1968 single “D. W. Washburn/It’s Nice to Be with You” with the “D. W. Washburn” label on both sides. Very cool oddity and again after a good cleaning this 45 sounds amazing. I am impressed that Colgems 45s in most cases play great even if they look terrible.

Another cheap find at that same store was a stereo copy of “The Monkees” stuck inside a really lovely mono cover. It was only $2 so I thought I’d get it just for the cover as the record looked a bit loved but again after cleaning the album it sounded so good that I decided to keep it.

(Btw, this stereo copy of “The Monkees” has a matrix that ends in 10S for Side 1 and 5S for Side 2 – for any Monkee nerds out there)

Of course I may need some therapy as I own several copies of this album but what the hey, right?

Well, that’s my latest Monkees finds for today. As usual you can see plenty of photos of these gems above and below and I also listed the matrix numbers below in case anyone was curious.

Until next time be healthy and well and happy spring and happy record hunting if you’re so inclined!

Matrix guide for the albums above:

Barrel Full of Monkees:
Side 1 – ZZRS-6425 3S
Side 4 – ZZRS-6426 3S
Side 2 – ZZRS-6427 4S
Side 3 – ZZRS-6428 3S

Pisces, Aquarius, Capricorn and Jones, Ltd (Stereo):
Side 1 – UZRS-9729 6S
Side 2 – UZRS-9730 6S

The Monkees (Mono RE):
Side 1 – TZRM-4687 9S
Side 2 – TZRM-4688 15S

The Monkees (Stereo RE):
Side 1 – TZRS-4689 2S
Side 2 – TZRS-4690 5S

More of the Monkees (Stereo RE):
Side 1 – TZRS-8693 20S
Side 2 – TZRS-8694 12S

Headquarters (Stereo):
Side 1 – UZRS-8397 12S
Side 2 – UZRS-8398 12S

The Birds, The Bees & The Monkees (Stereo):
Side 1 – WZRS-3519 5S
Side 2 – WZRS-3520 5S

A Pile of Partridge 2025 – Come on, Get Happy!

Well I’m back after a long absence of a couple months or so. Since it was winter and dreary I really wasn’t in the mood to do much so I took a bit of an extended break.

Luckily in the last three weeks or so I’ve had a chance to search antique and record stores far and wide and have found three particularly wonderful finds.

It just so happens that they all are fairly rare Partridge Family finds, two of which I never found in the wild, and all three in lovely minty condition!

Here’s what I found:

* “The World of The Partridge Family” – this is probably the rarest of The Partridge Family albums. It’s a two record set released in 1974 at the end of the television series. Not only did it look unplayed but was in the shrink wrap with a hype sticker!

* “The Partridge Family At Home with Their Greatest Hits” – this particular pressing I didn’t even know existed. I searched online after I found it and was surprised to learn that Arista records must have released this in the ’80s sometime. Another stone mint record that actually sounds better than the Bell Records pressing from 1972.

* “The Partridge Family Album” – this is a pressing of their first album from the UK. I have another copy of this UK pressing but it’s fairly beat up so I was glad to find that this one doesn’t look like it’s ever been played, truly near mint condition.

How do they sound you ask?

Well I have to say I was pleasantly surprised that all three of these albums sound superb. The biggest surprise of all of them was “The World of The Partridge Family” which is probably the best sounding Partridge Family vinyl I own.

Not only was the two-disc set mint but this pressing is truly wonderful with super quiet vinyl (a rarity for Bell Records from the 1970s I assure you) and very dynamic with a lot of bass and a clarity that isn’t present on most Partridge Family Bell Records pressings.

Original Partridge Family albums are notoriously hit or miss sound wise but this set just shines and may be my favorite sounding Partridge Family album – truly superb from start to finish and a nice song selection to boot.

The Arista pressing of “The Partridge Family At Home with Their Greatest Hits” was also surprising as it bests the original 1972 pressing though it’s not quite as dynamic sounding as “The World of The Partridge Family”. Lovely to have and another great listen. Odd to see the Arista label on a Partridge Family vinyl release but nice.

I guess the biggest surprise was how great the UK pressing of “The Partridge Family Album” sounds! UK pressings of Partridge Family albums were most likely made from a tape a generation away from the ones that made their first US pressings but this particular first UK pressing is dynamic sounding with a lot of nice bass and a truly wonderful quality pressing that was silent and very warm sounding. 

I have to say of all the pressings I own of this album this may be my favorite. I have other UK pressings of Partridge Family albums that don’t sound nearly this good.

The other wonderful thing about these albums is that all three of them were each under $5. Yes, you heard right, $15 for the three of them!!! I found them at an obscure antique mall that weirdly enough had a lot of foreign pressings and oddities.

I’m guessing that most people don’t think that Partridge Family albums have much value but “The World of The Partridge Family”  is especially tough to locate and on top of that near impossible to find still with the shrink wrap with a hype sticker and in near mint condition. This album didn’t particularly sell well at the time so they aren’t as plentiful as their regular albums which are fairly easy to locate.

And again I never even knew the Arista pressing of “The Partridge Family At Home with Their Greatest Hits” even existed so I was ecstatic to find it. I’m guessing this was reissued sometime in the 1980s but I don’t know the exact date or how long it was available. I have never seen one before but online I do see that it is out there but I’m guessing it’s fairly rare.

I can honestly say that all three of these albums are probably my favorite Partridge Family find ever while antiquing. Cheap, rare and wonderful – which is the best way to find them.

A great way to start 2025, collecting wise at least.

Well that’s all for now. I have a few other finds I’m going to be posting shortly so I just wanted to add this to the list of truly wonderful record discoveries found in some out of the way and obscure places.

Until next time I hope everything is well in your world and hopefully we’ll all be able to survive 2025 intact LOL.

See you soon!